This volume is an interesting one to me. While the chapter lengths are extended to account for more action sequences, there's still a lot happening, and at a breakneck speed it feels like. Relationships become strained as the heroes begin to realize that victory has no end state -- it must be maintained. And the Incal's path of victory has, inevitably it seems, landed them all in positions of government influence. It's honestly shocking how common that is in science fiction, and it makes me wonder what that reflects about real life. I'm too tired to think about that right now though.
A pattern begins to emerge. The forces of darkness bring some new devastation to the human empire, and John Difool is begrudgingly forced to spearhead the counterattack. Again and again this happens, and every time it's the last time for sure, and all Difool wants at this point is a beer, one more of multiple women, and that damn paradise planet he keeps begging random powerful people to give him. Difool in this volume is more relatable to me than ever; not because he's become more likable or anything (he's still a bastard), but because the world is endlessly asking so much from him, and he's just tired.
Early in the first chapter Difool snaps at Animah, asking her why he's even still needed when the Incal's power is at her full disposal. It's a very valid question, and it doesn't get answered, at least not now. Why must Difool specifically be thrust to the forefront of these deadly missions? After everything that's occurred, the only answer that makes sense to me is that the Incal sees him as expendable. This is corroborated when Difool is under attack later in the chapter. Solune, channeling the Incal's will, tells Animah that they must not intervene until the very last second, "even if it means the death of John Difool!" This leads to what is I think one of the more powerful moments in the series, where Animah berates her son as "Inhuman!" (the name of the chapter) for prioritizing the Incal's strategy over his father's life. This is the first time I've felt some real conflict between Animah and Solune, and about Solune's position as the Incal's avatar. More importantly, it's also the first real critique of the Incal's plan; waiting to the last second as instructed nearly cost the entire crew their lives.
The running theme throughout the series has been our heroes dismissing their concerns and just blindly trusting the Incal, as everything falls neatly into place around them. To me, this one scene re-frames a divinely ordained will as, in fact, just an intelligent being performing utilitarian calculus. This is a very interesting development that I do not expect will be elaborated on at all.
One story thread that's been running in the background is that of Greyfield, one of the Emperoress's advisors. Greyfield's motivations are very simple, but in parallel with the main events of the series, have lead to some unique developments. The payoff to his arc in this volume was a shock, and it's made him one of my favorite characters next to the Metabaron.
As Solune's arc continues, I continue to see traces of Jodo's failed Dune project. After miraculously killing the Emperoress, who was possessed by dark forces, Solune was unquestionably accepted as the new "Perfect Androgyne" and made the new leader of the human empire. The only requirement for the role seems to be that you have powers and show androgynous traits. This instantly rang a bell in my head, as Dune's own Kwisatz Haderach was designed to be someone who could see as both a man and a woman, and carve a new path as ruler of the known universe. Solune uses his newfound authority to enact the Incal's next plan. The question is, will everything go as intended...?
-=-
A side note that I didn't get the chance to mention previously, I love how (almost) everyone refers to the Emperoress with he/she pronouns. I thought maybe it was just a formality they did for the Perfect Androgyne rulers, but nobody did that for Solune, who's still using his preferred he/him. I guess the Emperoress just rolls like that lol. The one character who misgenders him/her is Horlog, which I at first thought might have been a translation thing, but I guess it's just Horlog being an asshole.
There are only so many words you can say about Moebius's art before you just run out of words. I will say he knocked it out of the park once again, especially with how action-focused this volume is. There's a palpable motion in his inks.
We've got another changing of the guard in the colorist department, as Zoran Janjetov has replaced Isabelle Beaumenay-Joannet for the remainder of this series. I really like his coloring as a whole, however there is one small issue: Raīmo lost his melanin! Under Beaumenay-Joannet his skin was closer to bronze, but Janjetov colors him just as white as the main cast, so he looks sickly pale in comparison to his previous appearances. That one thing aside I think he did a fantastic job.
The next review, being the end of the series, might also turn into my retrospective on the series as a whole, depending on how many thoughts I have.