Never judge Tom Clancy against the yardstick of literature, but do take his measure by the other books he has written. Reading his stuff should be a guilty pleasure, done for the fun of it. Sadly, reading his latest book “Dead or Alive” was more of a guilty chore.
The book weighs in at a hefty 900+ pages. There is lots of white space around the words. The story's pace never makes it out of second gear. The action jogs along at a sedate pace, not at the red-hot speed of a ripping page-turner. It really doesn't hold the reader's attention. Glance up at the clock and you will notice that a 100 pages slipped by your eyeballs, but none of it was memorable.
Take for granted the far-fetched plot line—no action/adventure story would be fun to read without one. Clancy's narrative focus shifts back to terrorism, as “Dead or Alive” picks up today where “Teeth of the Tiger” ends.
Central bad guy is “The Emir,” a stand-in for Osama bin Laden. Clancy begins his tale with a Ranger patrol checking out a cave on the Afghanistan-Pakistan border, hopefully acting on good intelligence that he might be there. The raid turns up some useful intelligence to start the story, but the Rangers are nearly defeated by local Taliban converging on the area. But this is just a pause before hitting play.
Like all Clancy stories, this one has to be a “shaggy dog.” Other plot lines are thrown down, hopefully to intersect and intertwine later in the book. A business jet is blown up after delivering a mysterious passenger. A Russian landing craft is chartered by expensive, discreet foreigners. A hooker is seducing a key technocrat at the Dept. of Energy. Couriers are carrying encrypted CD-ROMs hither and yon. The United States is clueless to all this, burdened by an idiot president at the helm. The bad guys are winning, and the good guys barely know it.
Clancy's confidence in government is so dim by this time that his fictional characters have to rely on “The Campus”, rather than the CIA, FBI, NSA or the military to find and defeat The Emir. With a financial trading firm as a front-cover to provide self-financing, The Campus sits between the NSA and CIA with near-total access to all incoming intelligence. Unburdened by the restrictions of bureaucracy and politics, young Jack Ryan Jr. and associated Clancy characters (major and minor) do the sleuthing and the shooting needed to stop The Emir's subtle, multi-threaded plot.
It takes about 300 pages before all this is laid down. In most Clancy thrillers, the slow start should give way to a faster pace as all the pieces begin their rush to fall into place. The failure of the story to ignite at this point can leave the reader a bit chilled.
In the next 300 pages, we see familiar characters coming back to do their bit. Jack Ryan Sr. contemplates running for president again. John Clark and Ding Chavez muster out of Rainbow to work at the Campus. Mary Pat Foley is no longer at the CIA, now pulling her weight at the National Counterterrorism Center (NCTC).
By now our characters have to be zipping around the nation and the world, chasing down leads, disrupting terrorist cells and coming back with useful intel. But the story moves slower than the action. There is no tension. Computer analysis plays a big role in decrypting terrorist communications, but the clues are spoon fed into the plot, cyber ex machina, just in time for the next action to take place.
By the time the reader gets to the last third of the book, all these plot lines should be galloping at full speed towards an exciting collision point. But Clancy never gave the reader enough details of all the myriad plot lines to savor the inevitable, exciting plot crash. The climax proves to be a fizzle. The bad guys get what they deserve, but just desserts are served cold.
Of the three themes common in Clancy tales—Presidency, Weapons and Killing—it is killing that takes the spotlight. Small unit actions are few, covert gunfights many. Weapons are limited to the specialized small arms of the trade. As for Presidency, we only see enough to know that the Ted Kennedy stand-in Kealty is running the show, like a good capricious liberal. Clancy likes to use the Presidency theme to vent some of his political anger. Men of action are hampered by men of inaction.
And yes, a major character dies. I won't tell you which one.
I feel obligated to write this review, having written a non-fiction analysis of Clancy's previous works (The Jack Ryan Agenda). Critics often pan Clancy's works As nothing more than bad comic books, but they forget how much fun comic books are to read. I have to give it a thumbs down because “Dead or Alive” disappoints. Clancy has written better before, so the drop-off in his writing makes this book a bit difficult to pick up and too easy to put down. Wait for the paperback and read it if you must, diehard fan. The hardcover is not worth the price, and the time spent reading will seem little better than watching television.