En av de få stora företrädarna för en verklig episk poesi i klassisk stil är Frederi Mistral, som nobelprisbelönades 1904. Han är framför allt märklig därigenom att han genom vetenskaplig forskning och sin egen dikt gav nytt liv och modernt rättesnöre åt ett förr vittberömt men numera nästan slocknat litteraturspråk, provençalskan. Högst karaktäristiskt för Mistrals diktning är Sången om Rhône. Här blandas alla de element som från början präglat diktarens verk: virilitet, romantik och patriotism, naturbetagenhet, katolsk fromhet och ett starkt intresse för folklig mystik. Sången om Rhône har nu genom Ebbe Lindes inspirerande tolkning fått sin första presentation på svenska.
Frédéric Mistral (1830-1914) came from an old and well-to-do family of landowners that had settled in Provence in the sixteenth century. He was deeply influenced by his early years in the leisurely and patriarchal manor of his father. Mistral read law, but after taking his degree devoted himself entirely to writing poetry in Provençal, the passion for which had been aroused during his school days by one of his masters, the Provençal poet Joseph Roumanille. Mistral's aim was to make neo-Provençal a literary language conforming to fixed standards of purity. For this purpose he spent many years on the compilation of the Trésor dóu Félibrige, a dictionary of Provençal published by the «Felibrige», a literary society that Mistral had founded.
Mistral was both an epic and a lyrical poet. His work is determined by Provence, not only in language, but in content and feeling. Provence is the true hero of all his poems. His first great success was Miréio (1859), a story of two star-crossed lovers. It was followed by Calendau (1867), a fantastic narrative poem about a Provençal fisherman. Other works include Lis Isclo d'or (1876) [Islands of Gold], a collection of poems; «Nerto» (1884), a narrative poem based on a chronicle of the Avignon Popes; La Rèino Jano (1890); and Lou pouémo dóu rose (1897) [The Song of the Rhone]. A five-volume edition of his works appeared between 1887 and 1910; three volumes of unpublished works appeared posthumously (1926-30). Mistral wrote an autobiography Moun espelido: Memori è raconte (1906) [Memoirs of Mistral]. His efforts to revive Provençal were at various times supported by the Academie Française and the Institut de France.
Véritable épopée fluviale dans laquelle Mistral réactive la tradition poétique grecque et romantique. Le Rhône inspire chaque vers et chaque vers s'incarne dans le roulis des vagues. Les personnages s'incarnent entre le mythe et l'ode aquatique.
This is an epic poem translated from the Provencal language (a French dialect). The translation is in blank verse which makes it easier to read but perhaps lessens the lyrical quality of the original. Overall, the story is well told and contains all the key elements of epic poetry, but falls a little short of what I would expect in scope.