(Oh my god is this messy, even for me)
Starting the massive pile of reviews I'm long overdue is actually not that easy... 18 f***ing books I did not write about!?!
But I'll make it easy for myself by beginning here - with the 12th and final installment in Will Wight's highly acclaimed and best-selling self-pub series 'Cradle'. Because... Well I actually kind of forgot most of this finale (D&D Season 8 pun not intended); and that is certainly not good for the final chapter of a long running series.
So what should I say, this is probably going to be a quick one - or maybe not, we shall see.
So first of all I'll start with my immediate thoughts after the reading, which was mainly my sense of accomplishemt after finishing another one of these massive series. And while the books are extremely easy to read and not that long in fact, I'd still say 12 books count as long series ^^
So for that feeling alone, this was quite the experience - just a good feeling getting through one of these long journeys and looking back; whatever whatever critizisms or problems one might have had on the journey.
Originally, I rated this book 4*s, with the note, that most of that rating comes from me generally being a sucker for endings and carthasis. It doesn't matter too much how I felt about the journey or how the ending was pulled off, endings just rule.
So yeah, I have a lot of problems with this last entry in the 'Cradle' series, as I did with the general direction, the series was heading to since a couple of books.
But there were still so many highs and a sense of achievement, that I'm gonna let myself be overruled by that. It's just cool, I have to admit that.
But now, only two months later, most of this feeling already slipped my mind. So turns out, it wasn't a lot more than the feeling a book like this normally only brings with itself.
But let me start with my general frustration about the series and the direction it was heading into since some time; mainly the book before this one, 'Dreadgod'.
Because I sadly feel like there was a choice made here, that completely ripped this series from developing a true meaning and message in the end - to make a true, final statement so to say.
For all this time I was hoping for it all to come together.
"There has to be more to this than just getting stronger and stronger," I kept telling myself.
Well and now that I'm here, I can safely tell you: Nope. There isn't.
If you are satisfied with a story being purely about some characters you automatically grow to through the time you spend with them getting into bigger and bigger fights, then you'll be fine.
If you can not adapt to something like that and search for more in your stories, I'm afraid that I honestly don't know if you should take this one on - or at least you should lower your expectations from a certain point on.
To describe this series, many people (and Will himself if I'm not mistaken) compare 'Cradle' with Anime, but in prose-format.
That statement is true in a lot of ways, and there is absolutely nothing to be said against it. But Anime doesn't equal Anime, there is so much variety in that medium, that it could basically mean everything.
The comparison should instead rather be "Battle-Shonen, but in prose format" (maybe that was even the one Will used, idk), and I'll add to that "blend of everything, battle-shonen is known and infamous for."
So yes, there is exciting and fist-pumping action.
There is a lot of "training".
The magic system is purely based aound named techniques.
And now, as these last two showed me, there isn't really a point to it all. Fun entertainment, that can deliver its bit of escapism and rooting for the underdogs to give the baddies a proper beating, but apart from that...
I feel like this is also a point in manga/anime, where my personal enjoyment and preferences kick in regarding battle-shonen.
I never really got into the medium until recently, so there haven's been the childhood-connections a lot of people have with shows like "Dragon Ball", "Naruto", "Pokemon", etc. etc.
And what makes 'Cradle' so comparable to these instead of other shonen like "Fullmetal Alchemist", "Attack on Titan" (yeah that one is debatable but technically doesn't cound as Seinen if I'm not mistaken), "Jujutsu Kaisen", "One Piece" (ending isn't there, so only maybe?), & others, is that these have more to say in terms of themes or actual intertwining plots or worldbuilding, etc.
The "full arc" so to say, the big picture, what these stories encompass is never really the point.
It's about creating strong and memorable, often motivating, moments during the journey. Moments, that teach its audience about simple yet valuable lessons in life. Friendship, sacrifice, fulfilment, redemption, "being better", etc. but mostly only ends with the protagonist achieving the goal after long struggles and lessons, finally being strong enough or whatever.
From an author's perspective, it's like creating yourself a playground in which you can play around until you feel like you should/can wrap it up. How everything expands is nice and fun and important for the journey, of course, but in the end, it will mostl likely all shrink down back to the basic format set up in the beginning.
Much of this, I'm aware of, is also due to the restrictions the weekly format brings with it.
Oh and all that is not to talk down onto more classical battle-shonen, there is 100% a place to that and how most of them accomplish their own feats isn't easy or anything - quite the opposite in fact. That's not what I'm saying.
Well but what I'm trying to get to with all this, is that the medium of a book or of prose works a bit differently and provides the artist with a different set of tools.
And while Will Wight uses these tools to explore sides of a story like this further and differently than the audiovisual medium can do, he never really tries to apply them onto the larger picture.
Guess it or not, books like this typically don't have a weekly schedule, that the author has to stick to unless he wants to be dropped by the magazine / publisher.
So there is the possibility to more easily set up stuff, plan out, lay foundations, set up messages, spreading arcs and plotlines, creating a more direct frame of conveying the contents and themes of a series or story, etc. etc. etc.
And short things short, in the end, 'Cradle' follows it's footsteps and simply shrinks back together, while opening up for possible future series.
Yes, the world has gotten significantly bigger, the characters significantly stronger but for what reason?
In my opinion, the series could have ended at any point, if Will Wight decided so. Stuff like this is of course fine, but as I said, I simply expected Will to take the opportunity he created for himself for the finale.
But he didn't. That's a fair choice, but I can't help but being a bit frustrated and underwhealmed, as I saw a lot of potential there, to wrap it up in a really innovative and intelligent way.
Might get into that a bit more in a short spoiler-section later, but first of all there is also some positive stuff to be said about this.
Because it is still a 'Cradle' book and therefore shares all the strenghts of the previous books.
The action really is great. It just hits. The portrayal of sheer power and his ability to create badass moments for his characters is what makes the series as far as I'm concerned.
So yes, you will get the big epic clashes you were waiting for in here - maybe even a bit more epic and grandios than expected. There might not be a lot of depth or meaning to them, but there isn't too much to be said against this, as long as it works as well as it does here.
I'd also say that in general, this is a pretty satisfying ending. Again, nothing mind-blowing or series-changing - probably no one will count the ending and how it wraps up to be a highlight of 'Cradle' - but as I said in the beginning, this kind of story is pretty forgiving in terms of creating a minimum level of carthasis.
I don't think anyone getting this far into the series will even consider not finishing the last book, but for those, that might be turned off a bit by the knowledge or expectations of a weaker ending or a miss in terms of recontextualizing the series, don't worry. Read it anyways. Not every series needs all of this and 'Cradle' certainly works for different reasons.
Even me, with all the critizisms I found within my reading journey through the Ashwind-Continent, do not regret anything.
As in the best Battle-Shonen, it's individual moments and arcs that make it all worth it in hindsight. Memorable characters, scenes, funny or clever ideas, etc. Cradle has all of these, and stuff like the Uncrowned King Tournament sits well among my favourite sections in fiction when it comes to pure enjoyment and action. Absolutely insane.
Also there are some really clever and playful "mechanics" within the series, that Will Wight intelligently plays with. If you are this far into, or have started at all, you know what I mean. Fun stuff to explore, that give the series a really unique personality.
And OH MY GOD, I totally forgot to mention a reunion that happens here, that... Well holy moly that one really got me. Such good stuff. So again: The feeling of accomplishment that naturally comes with an ending like this in a story like this absolutely works, and the moments coming from it land most of the times.
But I'm rambling now. So I'll stop. There are a lot of other reviews I must write, for books that I hold way more dearly than this one.
So. One last time. Here is my final Cradle Ranking. it was a blast:
1.: Wintersteel (#8)
2.: Uncrowned (#7)
3.: Blackflame (#3)
4.: Bloodline (#9)
5.: Reaper (#10)
6.: Underlord (#6)
7.: Ghostwater (#5)
8.: Waybound (#12)
9.: Dreadgod (#11)
10.: Skysworn (#4)
11.: Unsouled (#1)
12.: Soulsmith (#2)
And for those wanting the spoilery thoughts I was talking about earlier...
Well I'm tired. So sorry for now haha
Although I think I gave some of it away in my reviews for books 10 and 11, so that might maybe be enough to decipher which choice I meant.
Bye :)