Kanon and Ayano used to be the best of friends; then they weren’t. Saki is now finding out the whys of it all from Ayano, but can she really fix anything between them?
A tale of two mangas, this time out. One part of this story is strictly okay, the other part is absolutely dynamite. Hence they will meet in the middle, score-wise, but let’s get into it.
Ayano’s story is great. This is how you do a flashback, by showing how it feeds into the present and affects things there. Ayano was a staunch friend and helper to Kanon, but she paid a price that she didn’t even realize she was paying.
Her homelife being an absolute disaster, Ayano exists in a silent struggle compared to the much more obvious struggles of Kanon. Even she doesn’t think to put herself ahead of Kanon, until it’s far, far too late and the strain of it all plus the knowledge of what she’s missing out on with school come crashing down.
Being ignored in her struggles, even though nobody else knows about them, leads Ayano to lash out hard at Kanon and push their friendship into the trash. And then, later, after Kanon’s had it even worse, to stomp the trash down even further.
It’s so, so good (uh, drama-wise) and just makes total sense, plus gives the perspective of somebody seen as just an aid to a disabled person and nothing else. Saki has largely avoided that by treating Kanon like a person first and a disability second, which is why the two have become so close.
This section ends with Ayano having a bit of a tsundere moment amidst Saki’s rather astute (if innocent) observations that leads to the potential, at least, for a reconciliation, even if nothing gets promised right out of the gate.
The next part is also really solid, as we see the effect that Saki and Kanon are having on one another. Saki is working harder than ever at the piano - the subtle shift in the art style is so well done - and Kanon is finding that she wants to have a goal again (which also paves the way for a VERY funny joke at Saki’s expense).
It’s the back half that doesn’t really engage me too much, bringing in a choir contest for the school festival, and that sets Saki up to play the piano and Tomita, one of the girls who hates Kanon, as her conductor.
Tomita knew Kanon and is carrying around an incredible amount of chips on her shoulder, as she aims to teach Kanon a little humility for the latter’s supposed aloof behaviour, though a lot of that stems from how people have always treated her.
Where this hits the skids is when Saki and Tomita get saddled with picking the song themselves and Saki ends up picking, of all things, Ebony and Ivory. Which is reasonable, provided you have never heard the song before.
Time has not been kind to that song and, from my perspective, with good reason. It’s a massive simplification of a complicated problem and they treat it here with a reverence that I can’t help but feel is unearned. Again, if you only know what you’re given here, it’s fine. Sadly, I do not.
There’s a veneer of schmaltz over this whole thing, from Kanon getting her mother’s opinion on her singing to the big explanation of the choice of song. I mean, it fits a choir song, but it’s pretty underwhelming compared to the Ayako stuff. I do appreciate the teacher pointing out how successful Stevie Wonder has been despite being blind, that was a good use of the material.
I have hopes that this will right itself - there’s a weirdly vague subplot with Tomita that I think might turn into something and it conveniently lets Kanon step in to conduct. That lets her sneak around all the issues with her trying to sing or lip sync, which is not a great way to solve a narrative problem, but does let her spend more time with Saki.
Yuri content is minute this time around, speaking of, but there are lots of little details that are worth picking up on, like how Saki thinks of Kanon and vice-versa, and how incredibly close they get during some moments of happiness. It’s indirect, but still there. The couch moment is just left there perfectly.
4 stars - I think the choir stuff is going to leave me cold, but there are some embers there that might make it turn out at least tolerable. The real draw for this volume is the first chunk with Ayako, which is as good as last volume and worth the price of admission.