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Lidiya Churilov (nee Voronov, a literary pseudonym Lydia Charskaya) is considered to be the most popular Russian children's writer of the century. Peru this unusually gifted and prolific writer owns dozens of works for children, adolescents and adult readers. Number of written Chara can be compared only with its vast scale, truly enormous popularity Continued counted Chara and after her work in the twenties of the XX century were declared "sentimental" and harmful to the reader, and then banned and withdrawn from libraries. The most favorite story writer, however, a long time corresponded readers, passed from hand to hand.
60 pages, Paperback
First published January 1, 2000
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About the author
Lidia Charskaya
215 books11 followersLidia Alekseyevna Charskaya (Russian: Лидия Алексеевна Чарская) was a Russian writer and actress. Charskaya was her pseudonym; her real last name was Churilova.
Charskaya worked as an actress at the Alexandrinsky Theatre from 1898 to 1924. From 1901 to 1916 she published about eighty books, several of which became bestsellers. Her most popular work was the novel Princess Dzhavakha (1903).[1] In the 1940s, when Boris Pasternak was writing his novel Doctor Zhivago, he said that he was "writing almost like Charskaya", because he wanted to be accessible and dreamed that his prose would be gulped down "even by a seamstress, even by a dishwasher."
Her novels fall into four general categories: stories that take place in boarding schools for elite girls; historical novels about women; autobiographical novels that follow the heroine from boarding school to a career; and detective and adventure stories. The main theme of most of her works is friendship among girls. The protagonists are usually independent girls and women who look for adventure or some kind of diversion from the everyday routine. Critics have commented that these characteristics account in large part for the wide popularity of Charskaya's works among young girls in early 20th century Russia.
Charskaya's reputation began to fade in 1912 after the critic Korney Chukovsky published an article in which he wrote that her books were formulaic, repetitious, and excessive with respect to female emotions. She stopped publishing in 1916, and in 1920 her works were banned. From 1924 until her death in 1938 she lived in poverty, supported mostly by friends. Throughout the Soviet period her work was lowly regarded, although there is plenty of evidence that young girls continued secretly to read her works, at least through the 1930s. In the late 1980s and 1990s Charskaya's works were revived in Russia, as several of her works appeared in new editions.
Charskaya worked as an actress at the Alexandrinsky Theatre from 1898 to 1924. From 1901 to 1916 she published about eighty books, several of which became bestsellers. Her most popular work was the novel Princess Dzhavakha (1903).[1] In the 1940s, when Boris Pasternak was writing his novel Doctor Zhivago, he said that he was "writing almost like Charskaya", because he wanted to be accessible and dreamed that his prose would be gulped down "even by a seamstress, even by a dishwasher."
Her novels fall into four general categories: stories that take place in boarding schools for elite girls; historical novels about women; autobiographical novels that follow the heroine from boarding school to a career; and detective and adventure stories. The main theme of most of her works is friendship among girls. The protagonists are usually independent girls and women who look for adventure or some kind of diversion from the everyday routine. Critics have commented that these characteristics account in large part for the wide popularity of Charskaya's works among young girls in early 20th century Russia.
Charskaya's reputation began to fade in 1912 after the critic Korney Chukovsky published an article in which he wrote that her books were formulaic, repetitious, and excessive with respect to female emotions. She stopped publishing in 1916, and in 1920 her works were banned. From 1924 until her death in 1938 she lived in poverty, supported mostly by friends. Throughout the Soviet period her work was lowly regarded, although there is plenty of evidence that young girls continued secretly to read her works, at least through the 1930s. In the late 1980s and 1990s Charskaya's works were revived in Russia, as several of her works appeared in new editions.
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