(this is a review for the entire Mirrorfall novel, not just episode one)
Intended Audience: YA
Sexual content: Significant
Ace/Genderqueer characters: Yes (human)
Rating: R for language, violence, some sexuality
Writing style: 2/5
Likable characters: 3/5
Plot/Concepts: 2/5
Stef is a hacker, a loner genius who loathes humanity and loves her laptop, Frankie. Ryan is the agent who brought her back from the dead. Stef wasn’t supposed to remember him, but she did, and now she’s stumbled into a combination of magic and technology that even her overactive imagination wasn’t quite prepared for.
Books with human ace characters are pretty rare. This one included A.I. but had the human as the primary ace character, which is rarer still. It also included a lot of nerdy “fandom” references to enjoy—my favorite part of the book. And despite the agency being an agency rather than a school, the setup gave a bit of the “magical academy” type of feeling that I know appeals to a lot of people. Stef has to try to fit in to a new world and a new group of people, which would be difficult even in the normal world, as her social skills are pretty bad.
Unfortunately, the book is in need of several more rounds of editing. Level one is the technical aspect—punctuation, sentence structure, and many cases of extra or missing words. Nearly every chapter had a problem with one or all of these. If it were just one of those things I might pass it off as a formatting error in the digital copy I was reading, but with all three occurring so frequently it became clear that this manuscript needs a major overhaul. Second level is the dialogue. There were several instances where I felt completely lost by the turns in the conversations between characters. It felt unnatural, not only because of how often the characters’ reactions didn’t seem to make sense, but also because the way everything is written gives the impression that the dialogue is supposed to reflect a certain scene’s “feel” rather than actually be true to the characters. This is especially noticeable in the beginning. It gets a little better later.
On that note, some of the descriptions were a little too shortcut-like. For instance, Ryan’s expressions are often referred to as being “narc”. Not only did I have to look up what the word meant (probably regional slang?), it doesn’t actually describe much of anything in terms of expression, so to use it every time he smiles or makes some other face is ineffectual. And it’s not the only problematic description either. The most memorable came from a passage near the beginning of the story, and went something like “he closed the door, and made a big show out of leaving it unlocked.” How does anyone make a show out of that? Did he stare at the lock, look pointedly at Stef, then look back at the lock and walk away? Did he act like he was going to lock it and then didn’t? Did he lock it and then unlock it again? Actually showing the reader what he did would have been much better than writing a non-description like that. The writing style’s greatest strength is that it’s not too boring or repetitive (apart from the narc thing), and some of the wording and humor is pretty clever. I was pleased to find such a diverse range of references and nods to various geekery. There is potential there, if the aforementioned weaknesses can be addressed.
Characters are an important part of any story. I’d say Mirrorfall is roughly 50% character musings, 30% worldbuilding, and 20% plot. A lot of space is taken up by dwelling on Stef’s insecurities, her disdain for other people, her love of computers, and above all her “crazy” nerd self. She has a voice in her head which is never quite explained but which apparently is the genius half of her, who tells her what she should be doing. But it is also—at least in the beginning—quite harsh. I really wanted to like and empathize with Stef, but she just came off as very selfish, and the fact that she has few qualms about killing people is also instantly repellant. She barely has to work for anything that she gets in the course of the story, and people let her get away with stupid decisions instead of setting her straight. Personally, I also didn’t like that her asexuality was tied so closely to disliking people in general… it harks too close to how some people perceive aces as cold and unsociable. Really, most other aces I’ve met are nothing like Stef, so as far as representation goes she’s not the best candidate. Stef is an individual, though, and she has some reasons to not trust people. I feel pity for her insecurities, but I still didn’t come to like her. I also expected to like Ryan, her agent guardian. Once again, I felt sorry for him, but he was a bit too one-dimensional to connect with. My favorite character was Curt, the ex-Solstice on probation at the agency. Solstice are enemies of the agency and of all magical or otherworldly beings, and Curt seems like a genuinely good guy. It would have been great to see the distrustful relationship between him and the agency played out a bit more. I have the feeling he could be a really complex character if he got more attention.
As for the world itself, it felt a bit like a fairytale anime. There wasn’t anything superbly surprising about any of the magic or technology, and most of it seemed to play the role of escapism wish-fulfillment in the story. Much of the magic is just cool, although Stef does encounter the dangerous side of it more than once. I enjoyed some of the scenes where the magic was shown as a cosmic force, rather than a curiosity to gawk at.
Despite Stef being ace and unsociable, she seems to stumble on “squicky” situations even more than is normal for a repulsed ace. In one scene, the man who recruited her to his hacking team randomly decides to use her room to have a fling with some sexy chick, and when she walks in he quickly agrees to let Stef sleep in his bed instead, even though he knows that if Stef tries to go to his room she will end up seeing things and beings that she should not see. The unlikelihood of all those events happening in quick succession is confusing. Why would someone like Dorian be that stupid? Why didn’t he go have sex in his own room for heaven’s sake? There should have been some other plot device, something more realistic, to introduce Stef to the world of magic. And later, at the agency, there are twin doctors who apparently have sex (or at least make out and strip off clothing) in front of recruits all the time. The inclusion of such a thing seems really bizarre in context. It feels like something thrown in, like a movie shower scene, to titillate the reader. It feels unnecessary and baffling.
The biggest problem with the plot, however, is that despite stuff happening, nothing really happens. There’s no sense of rising action, nothing tying it all together… it’s just a series of events that only feel connected because Stef lives through them. I kept expecting some earlier parts of the story to tie in at the end, such as, say, a reappearance of the first “monster” Stef saw, but nothing like that happened. Stef’s living alone, then she’s working for a group of hackers, then she’s at the agency, and then she’s watching the mirror (core of a dead world) fall. The mirrorfall is where the climax of the story ought to be, but it was so loosely connected to the rest of the story that I didn’t feel the sense of engagement I usually expect when I reach the end of a book. There is no plot apart from Stef, and I think there needs to be. Harry Potter might have still been entertaining if it was only about Harry going to Hogwarts—and this story is entertaining too, in a way—but the real story is what’s happening with Voldemort’s return. What’s the real story here? If there is one in the longer arc of the series, I could barely feel it.
Mirrorfall has some of the basic ingredients for a great novel, but there are some big holes that need to be filled… and more ingredients that need to be added to make the flavor richer and more layered. It’s a start, but it definitely has further to go before it is all that it could be.