Well, this is a whirl. It’s short and decently written and reads easily.
Our protagonist reads very young at the beginning (reminiscences of early childhood at the fair, running away from bullies on the school bus), but from the outset there’s some imagery that is decidedly out of cheap horror movies (corpse warriors on corpse horses, a beheading, an abandoned funfair, a witch served by disembodied hands, a talking doll that needs feeding ...), so it’s a bit difficult to categorise this tale. We learn later that she was thirteen at the beginning, but still reads younger than that.
The story is very quickly told in summary form like classic children’s fairytales, and promisingly begins with many references to European folklore (the aforementioned child-abducting witch, a Green Man, a tree of worlds, a wandering knight who’s clearly of the Wild Hunt type), but clearly wants to be viewed through modern Kindle-toting eyes. So is it more Young Adult than children’s?
The protagonist suddenly jumps to age sixteen as if the author was asking himself just that question. There are irritating references back to the child protagonist with the “bang-dead” motif for bad guys, used throughout, which really clashes with the older protagonist tone.
From that point of sudden ageing, we are suddenly in very familiar Chosen One quest territory, with our protagonist become a Farm Girl of Destiny who needs the magic sword on order to channel her inner Flame (which in itself can defeat the Dark One) and short cut a lifetime of learning. At least that’s a good solid reason for a quest. All the rest is just stated up front by the Wise Mentor and accepted without question by our Chosen One.
We then have a journey confronting horror after horror, all without story relevance despite clumsy attempts to build up a cosmology. Sadly, the earlier folkloric references vanish into this morass. These encounters are just levels of a computer game: meet, defeat, move on, without any purpose. There’s a very obvious rip off of Gandalf’s fall in Moria in the process, which is disappointing.
Equally disappointing is the ease with which the Sword is acquired in the end, and the lack of boss or of any kind of actual conclusion. Supposedly, the protagonist has acquired the ability to use the sword thanks to her experiences, but other than being three years older at the end of the book than she was at the beginning, she has not really developed. The idea was nice, that her time in the portal world gave her the preparation she lacked at the time of the prologue, but the execution was poor.
Anyway, this was a free iBook and I have the rest of the trilogy in free Kindle books, so I’ll eventually read on but it’s not a priority.