Beclouded Visions: Hiroshima-Nagasaki and the Art of Witness (Suny Series, Interruptions, Border Testimony

Interruptions: Border Testimony(ies) and Critical Discourse/s

by Kyo Maclear

The trauma of Hiroshima and Nagasaki demonstrates the limits of dominant visual models, such as photography, for providing adequate historical memory. The author argues that collective traumas suggest the need for a prolonged gaze, such as can be provided by expressive art.

Beclouded Visions is an exploration of the many and varied ways in which atrocity has shaped the requirements of art, vision, and collective memory in the twentieth century. The atomic bombs that were dropped on Hiroshima and Nagasaki serve as a starting point, but what begins as a study of visual culture related to the atomic bombings soon generates questions that can be applied to multiple sites and practices of communal remembrance.

Drawing on a diverse array of images--ranging from military photographs to survivor paintings--Maclear asks what it means to see such representations. What does it mean to put a face to horror? Does "seeing everything" make us more humane? Is it possible to become inured to images of violence? She probes the nature of our fascination with images of horror, and she questions our attachment to pictorial realism and graphic memory. Placing philosophers such as Jacques Derrida, Walter Benjamin, and Theodore Adorno in the context of ongoing debates about history and memory, Beclouded Visions provides a refreshing perspective on art, remembrance, and mourning.

"This is an exceptional and compelling piece of scholarship. The book works its themes across a number of disciplinary concerns, touching on what is both the common experience in attending to commemorative and witness art, and the most profound philosophical issue of the limits and functions of horror's representation." -- John Willinsky, University of British Columbia

Genres: History, Art, Nonfiction

213 pages, Paperback

First published December 1, 1998

About the author

Kyo Maclear is an essayist, novelist and children’s author. She was born in London, England and moved to Toronto at the age of four with her British father (a foreign correspondent and documentary filmmaker) and Japanese mother (a painter and art dealer).

Her books have been translated into eighteen languages, published in over twenty-five countries, and garnered nominations from the Hilary Weston Writers’ Trust Prize for Nonfiction, the Governor General’s Literary Awards, the TD Canadian Children’s Literature Awards, the Amazon.ca First Novel Award, the National Magazine Awards, among other honours.

Unearthing: a Story of Tangled Love and Family Secrets (2023) was a national bestseller and awarded the Governor General’s Literary Award for Nonfiction. Her hybrid memoir Birds Art Life (2017) was a #1 National Bestseller and winner of the Trillium Book Award and the Nautilus Book Award for Lyrical Prose. It was named one of the best books of 2017 by The Globe and Mail, CBC, Now Magazine, the National Post, Forbes, the Chicago Review of Books, and Book Riot.

Her work has appeared in Orion Magazine, Brick, Border Crossings, The Millions, LitHub, The Volta, Prefix Photo, Resilience, The Guardian, Lion’s Roar, Azure, The Globe and Mail, and elsewhere. She has been a national arts reviewer for Canadian Art and a monthly arts columnist for Toronto Life.

Kyo holds a doctorate in environmental humanities teaches creative writing with The Humber School for Writers and the University of Guelph Creative Writing MFA.

She lives in Tkaronto/Toronto, on the traditional territories of the Mississaugas of the New Credit, the Haudenosaunee, Métis, and the Huron-Wendat.