Bless Little Free Libraries, where I found a vintage (read: crumbling) copy of Stephen King’s The Stand. I am on a Stephen King kick as of late, in part because King is my current popcorn reading.
The Stand is redolent of covid. It is the story of a virus designed by the United States military as a biological weapon which is accidentally released into the population. The majority of America and presumably the rest of the world is killed off, leaving a relatively small number of survivors. As the survivors struggle to survive in a world without modern conveniences (no electricity because there is no one to run the electrical plants and no cell phones because they did not exist yet) they form small bands of people who must choose the good guys (Mother Abigail) or the bad guys (The Dark Man).
The Stand is an ensemble cast, focusing mostly on a handful of survivors, such as Harold, a nerdy teen boy, and Frannie, a young woman pregnant out of wedlock. Stu Redman, Larry Underwood, and Nick Andros round out the cast with whom we spend most of our time/ The cast is predominantly male, predominantly white, and predominantly under the age of forty.
There is some good, old fashioned racism and misogyny in this book, including some fabulous stereotypes of women. A product of its time, I guess, and as marked by the racial and sexual politics of the time as it is marked by the technology that existed then.
While King usually has a supernatural element in his books (I cannot think of a novel of his that does not include the supernatural) this book is the most overtly Christian that I have read. The characters discuss and debate the existence of a Christian Gd and there are many Biblical references.
I enjoyed reading The Stand, as I enjoy reading most King works, but weighing in at just over 800 pages, this book could have done with a good editor. And that ending. But, overall, an interesting read.