From exhilarating images of ice-cool jet pilots in dog fights, to blue-haired Barbie dolls drowning in scenes of domestic heartache, Lichtenstein's instantly recognizable paintings, with their Ben-Day dots and witty one-liners, defined the art of a generation. But how did a jobbing, unassuming painter of the Fifties become a world-famous Pop artist whose work today sells for millions? What do his paintings really tell us? And what is his legacy?
This book, by art critic and broadcaster Alastair Sooke, is a perfect introduction to the artist and his work. Spanning Lichtenstein's career, and explaining his unique style, it is a journey through the life of one of the twentieth century's greatest artists.
I brought Alastair Sooke’s book Roy Lichtenstein: How Modern Art was Saved by Donald Duck immediately before going to see the Lichtenstein retrospective at the Tate Modern. To be honest my two main attractions to this book were I knew nothing about the artist –beside knowing a few of his works– and I recognized Sooke’s name from his BBC 4 documentary series Treasures of the Roman Empire. I expected this book to be like the documentary: enjoyable and comprehensible, but a little bit simplistic. I was right. Sooke writes in an engaging manner. The text is easy to interact with. The introduction of the book focuses on just on Lichtenstein and his work. This gives the reader preview to the rest of the book. It is not a biography that reveals juicy details about the personal life of the artist. Instead it provides a comprehensive and detailed look into the intertwining of several stages of Lichtenstein’s work, mainly concentrating on his method and philosophy. He was a pop artist who used common things as a style and concentrated on his form, not just communication of the message behind the objects. His style was the idea of the image that the viewer had in his or her head, not the image itself. He did this by generalizing the object, after painting pictures like Look Mickey, which used recognizable cartoon characters. This caused him to start discovering his style and grow as an artist. Thus, while it is pretentious to say, “Modern art was saved by Donald Duck,” it is not unreasonable to say Lichtenstein’s career was saved by Donald Duck. My one complaint Sooke only explores this one theory of Lichtenstein work. I would have liked other ways to read Lichtenstein – no matter how small or inconsequential it may seem -- presented. However, for 50 pages I think Sooke did the right thing in concentrating on one particular reading of Lichtenstein. Overall, it is a great introduction to modern art.
A great overview of Lichtenstein’s work and technique. The writing is accessible, informative, and explores some of the deeper themes and ideas in the artist’s work.
Reflections and lessons learned: When humour, cynicism and cultural critique come together and are produced from one mind and translated into art. An “assault on abstract art”. “Transporting place and time” - constructs shifted but not fully removed Representations of reality, Anonymity vs identity, Art, mostly importantly, as a communicator! I disagree about the ‘elimination of personality’ and look forward to embracing more of these short analytical pieces in a time when our museums and art galleries are closed