Addictions suck. Especially when, as you're reading through it, your thought process is something like "Oh dear lord why am I reading this why are they talking like ten year olds why is absolutely nothing happening in the plot and even worse why am I enjoying it?" I seem to think this way when reading every installment in this series, and Destined is no exception.
Perhaps the most frustrating thing about this series is the dichotomy between the plot and the characters. The Casts (well, really, P.C.; does Kristin actually do any of the writing?) have developed a plot that has matured as the series went on; the actions of the antagonists became much darker, and the conflicts became much more grand in scale. However, while the subject matter has matured, the characters have not. This immaturity was okay at the beginning of the series when Zoey and the gang were mostly dealing with relatable teenage issues with a few vampire problems thrown into the mix. This far into the series, however, all traces of normality are gone, and these characters are dealing with death and destruction at every turn. It seems only logical that they would inevitably grow up in the process, but they're still spewing out dialogue that sounds completely idiotic, and their interactions with each other are far too contrived. The "heart-to-heart" moments between Zoey and Stevie Rae were actually painful to read at times. It's almost as if these authors were never actually teenagers because the way these two speak to each other is not natural or relatable at all.
Similar problems arise in this installment that have occurred throughout almost every single House of Night novel in the past. Stereotypes are still at large and don't seem to be going away anytime soon. Damien (setting aside the fact that his character has been reduced to a crying mess) is every single gay stereotype wrapped up into one person, and I still don't understand why the Casts feel the need to riddle Kramisha's dialogue with blatant grammatical errors just because she happens to be black. The pop culture references are getting out of control, too. Dropping the names of popular books and television shows and then awkwardly inserting a contrived conversation about it does not help the audience relate to what's going on; it just makes everything extremely awkward. I was cringing throughout the references to the Sookie Stackhouse series, Game of Thrones, and the others since they were made completely out of context, and they had no relevancy to anything at all.
The plot's pacing was a little strange as well. I just finished it thirty minutes ago, and I cannot remember what happened in the first two hundred pages. These novels tend to fall into a pattern where the characters talk about what they're going to do for the first three quarters of the book before actually doing it, and this installment is no exception. The climax, however, was possibly one of the most memorable of the entire series. Even though, in my opinion, nothing truly happened in this book to move the overall plot forward, it was still nice to have some kind of gratification from the fairly well-done ending.
If you've made it this far into the series, you're obviously going to have to read this one and the ones after it. I've given up hope that I will ever stop reading these books because I'm so far in, and as much as I hate to say it, I actually do find myself enjoying these books for the very trashy things they are. Sigh.