Edición española. Contiene: ECHO Desert Run y ECHO Collider. EL CREADOR DE STRANGERS IN PARADISE PRESENTA EL SEGUNDO ACTO DE ESTA TREPIDANTE HISTORIA EN UN VOLUMEN QUE NOS PREPARA PARA UNA CONCLUSIÓN ESPECTACULAR Un sospechoso accidente en el desierto. Una extraña aleación que puede cambiar el mundo. Una chica unida a este poderoso metal. Un extraño vagabundo con poderes similares. Un proyecto que podría acabar con todo. Julie sigue huyendo de todos los que desean hacerse con la aleación: afortunadamente, puede que haya encontrado una importante aliada. Mientras tanto, Dillon está descubriendo lo que hay detrás del proyecto phi, y es mucho más peligroso de lo que jamás podría haber imaginado…
Following the examples of independent comic creators such as Dave Sim and Jeff Smith, he decided to publish Strangers in Paradise himself through his own Houston-based "Abstract Studios" imprint, and has frequently mentioned a desire to do a syndicated cartoon strip in the authors notes at the back of the Strangers in Paradise collection books. He has also mentioned his greatest career influence is Peanuts' Charles Schulz.[1] Some of Moore's strip work can additionally be found in his Paradise, Too! publications.
His work has won him recognition in the comics industry, including receiving the Eisner Award for Best Serialized Story in 1996 for Strangers in Paradise #1-8, which was collected in the trade paperback "I Dream of You".
It was announced on June 15th, 2007 that Moore would be taking over for Sean McKeever as writer of Marvel Comics's Spider-Man Loves Mary Jane series starting with a new issue #1. On July 27th, Marvel announced that Moore would also take over for Joss Whedon as writer of Marvel's Runaways.[2]
On November 19th, 2007 Terry Moore announced in his blog that his new self-published series would be named Echo and its first issue would appear on March 5th, 2008.[3]
En este segundo volumen, sabremos más sobre la extraña sustancia adherida al cuerpo de Julie, y del llamado Proyecto Phi. Y es que los peligros acechan a la pobre Julie, así como a sus allegados. La trama sigue muy bien, dosificando los misterios. El dibujo de Moore en blanco y negro es genial, muy expresivo.
La trama encaja sus piezas sin revelar todos sus secretos. Terry Moore sacrifica el desarrollo de personajes en favor de equilibrar su historia con resultados efectivos.