I reviewed the Kindle edition of this book - and sadly, GR doesn't seem to bring together the reviews in one place. So this is it:
Tim Griggs' 'Redemption Blues' is one of those 'don't start it ten o'clock at night' books because if you do, you'll still be there, bleary eyed at 4 am the next morning trying to get through just one more chapter before you finally get some sleep. Except you won't, of course (sleep).
I read it on the way to and from London, which given that it's 4.5 hours travelling time each way, either on trains or on stations, is not a bad way to do it - I did have to finish the last 3 chapters when I came home, but it was well worth it.
The story is fairly straightforward: rock star at the height of his fame realises he has a wife and kids (nine year old twin girls) at home, breaks off the final tour, rushes home to be with them for Christmas -and discovers that his wife is in the process of leaving him. He grabs the girls, heads off in the Big Fast Car... and when the car is found nose down in the Thames, one of the girls has died of a broken neck. The other, miraculously, is still alive, tho' pretty shocked...
His wife is an alcoholic mess, blaming herself and Rock Star Man (Matt Silver) alternately. She also can't really bond with the surviving daughter because the one that's left behind is the little, quiet introvert, while the beautiful, extrovert rock-star-in-the-making is dead. Into this toxic mix comes Inspector Sam Cobb, the police inspector whose own life is recoving from his wife's death from cancer.
It sounds very mundane. It truly isn't. I can't tell you how good this book is: It's literate, it's intelligent, it's thoughtful, it's utterly engaging. The characterisation has depth and a kind of compassion that others of this genre aim for but never quite touch. The web of relationships that spin around Cobb - with his father, the former diplomat ('Sometimes, Samuel, I'm glad you didn't follow me into the diplomatic service.') at whose farm he spends all his free time; with Freya, the nine year old girl rejected by her mother; with Lauren, that mother, whose alcoholic self-destruction is so utterly plausible and not in the least maudlin.
And then there's Silver, whose body is never found, and who might well come back from the dead.
The slowly rising tension is painful, but never unbearable, and the denouement is perfect. This is only available at the moment on Kindle, but it'll be one of the best £1.99 you ever spent...