Two and a half stars. Laurens has fallen into the trap of following the disappointing trends in historic romance writing.
I used to be a huge Laurens fan and I have read all of her books at least once and many multiple times. Her novels were always so strong: she’s a great wordsmith, can pull you into Regency life like no other, can elicit wonderful emotion and used to draw great characters. However, her last several books have lost their dramatic tension and her characters have devolved into the same old characters in every other romance novel.
One reason there is no dramatic tension in her latest novel is that there is no real conflict between the protagonists. In Then She Fell, the characters both want to marry; they find each other attractive and respect each other. Nothing to keep them apart except for their fear of admitting their feelings to each other. Junior high stuff. In fact, Laurens can’t stretch the “boy-chases-girl, boy-gets-girl” part longer than the first half of the novel.
The reason for the lack of tension in Laurens’ more recent novels is that she, like many popular authors, has followed the romance trend toward making the h so “everything,” strong, smart, brave, skilled, etc.; there is no room for her to grow over the course of the book. She doesn’t have to overcome weakness. She doesn’t have to come to terms with her own sexual longings: heck, even in bed, the virgin h in this novel tears off the hero’s clothes and goes down on him. The woman’s only “weakness” is being mildly and temporarily distressed when attempts are made on her life. Geesh!
Concomitantly, Laurens has followed the trend of making the H rather wishy-washy, not particularly strong or skilled or even very cocky, let alone Alpha. This H hasn’t a macho bone in his body. He is supposed to have been a rake but the only rake-like characteristic we are aware of is that he used to sleep around. So, he was young and single. Big deal.
In the early Cynster novels, the H’s were much more rake-like, engaging in numerous risky behaviors as well as bedding lots of women. The earlier H’s were also very full of themselves, arrogant, rather Alpha. They would say, “I want this woman. And she WILL be mine.” Then they would go after her with all stops out. God, have we lost something when we lost that. These new wishy-washy heroes do nothing for me.
Not that the Bar Cynster women were weak--in fact, emotionally, they were stronger than more contemporary heroines who emote a lot. The original Cynster h's were completely comfortable in their own skins, knew who they were, what they wanted and calmly did whatever needed to be done. I really, really liked them. These h’s would say, “No way am I going to hook myself up with this arrogant, macho man who could then control my whole life. My life is very good just the way it is, thank you very much.” And, with the control men had over their wives during that period, that decision was a really smart one, not just a ploy of the novelist. I really enjoyed their run-ins with the macho males. It produced all sorts of conflict and tension. And, in the end, the h’s had the men eating out of their hands. Great reversal.
Laurens attempts to up the tension in the story by including a murder mystery cum attempted assassination attempts. This plot frankly made me yawn. I skipped over much of the last part of the book it was so boring. In the end, our Superwoman gets her friends to help her plan and carry out the rescue of the H, poor thing.
I must confess I don't understand this trend in historic romance. We are reading these kinds of novels in order to vicariously live as women from a different era. And, yet, Laurens has fallen into the trap of so many historic romance authors, that is, having basically contemporary protagonists in a historic setting. So we miss the drama and fun of conflict with macho men. Heck, the H's in most contemporary romantic suspense books make recent historic romance H's look downright girly. Blah! This means we also miss watching both protagonists grow and change as their relationship grows.
If you are new to Laurens and like a strong male lead, read Devil’s Bride, the first novel in the series about a set of cousins known as the Bar Cynster. For a particularly hot novel in the series, try the fifth one, A Secret Love.
Oh, Stephanie Laurens, I sure am sorry we lost your wonderful characters. Won’t you give us a strong male lead and a female who has some weaknesses? And, protagonists who grow and change over the course of the novel.