Performing Science and the Virtual

by Sue-Ellen Case

This impressive new book from Sue-Ellen Case looks at how science has been performed throughout history, tracing a line from nineteenth century alchemy to the twenty-first century virtual avatar.In this bold and wide-ranging book that is written using a crossbreed of styles, we encounter a glance of Edison in his laboratory, enter the soundscape of John Cage and raid tombs with Lara Croft. Case looks at the intersection of science and performance, the academic treatment of classical plays and internet-like bytes on contemporary issues and experiments where the array of performances music Sun Ra, the jazz musician the recursive play of tape from Samuel Beckett to Pauline OliverosPerforming Science and the Virtual reviews how well these performances borrow from spiritualist notions of transcendence, as well as the social codes of race, gender and economic exchange. This book will appeal to academics and graduates studying theatre and performance studies, cultural studies and philosophy.

262 pages, Kindle Edition

First published October 25, 2006

Reviews

[David · Rating 1 out of 5]

I feel that I should write a review if I'm going to give 1 star. I read this book in 2011 to try to help with a paper I was writing on performing science (specifically I was trying to focus on plays that presented science related topics, like Inherit the Wind, etc.) . There isn't that much on the theory of performing science, so I was very excited when I found this book. I was disappointed because much of what was presented as 'science' does not pass muster to what a scientist would call science (at the time I was working on a BS in Chemistry, and now have a PhD chemistry). If the reader is interested in performing the virtual this is probably a good book, but it does not address performing science from what I would consider a 'rigorous' (or scientific) interpretation of science. The large focus on Mme. Blavatsky was a considerable deal breaker for me.

[micha cardenas]

Incredibly well written and so, so relevant to everything elle and I are thinking about with our current art practice. A deeply informed viewpoint with lots of relevant, contemporary examples.