Italian Baroque and Rococo Architecture

by John Varriano

Examines the designs of Italian buildings in the baroque and rococo architectural styles and discusses the careers of architects such as Gianlorenzo Bernini, Francesco Borromini, and Pietra da Cortona

Genres: History, Architecture, Art History, Nonfiction, Design

Paperback

First published March 20, 1986

Reviews

[Servabo · Rating 3 out of 5]

Baroque: a fondness for complex, often centralized ground plans; an increasing tendency to ward greater height, eventually establishing the dome rather than the high altar as the physical and spiritual focus; the love of curved wall planes, of projecting columns rather than flat pilasters, and of rhythmic bay arrangements; controlled illumination; a fusion of sculpture with architecture; a sensitivity to site and location; and a coextensive space that actively engages the sensory perceptions of the spectator.

Baroque architects believed that the most powerful and energetic works of art induce strong passions capable of transporting one's sol into a higher realm. If Renaissance architecture was to be contemplated on an intellectual level, Baroque architecture was to be experienced with the emotions and the senses.

The one unifying element in Italian life, apart from language, was the Catholic Church. Its influence on architecture cannot be overstated, for from the Middle Ages to modern times, the grandest buildings in Italy, and indeed most of Europe, were built to serve ecclesiastical purposes.

[Mary Rose · Rating 3 out of 5]

Mostly dry and for people who already have a grasp of this subject, I'd look for a newer book with better pictures if you're interested in the topic.

[Lamadia · Rating 4 out of 5]

Focuses on Borromini, Bernini, and Cortona for the Baroque aspects. The book was instructional without being boring and easy to read while remaining interesting.