This seventh volume of the Collected works of G.K. Chesterton brings together three of this most acclaimed works of fiction, with introduction and notes by Chesterton scholar Iain Benson. A must for serious fans of Chesterton, this features the same quality and sturdy binding as the other volumes in this series.
Gilbert Keith Chesterton was an English writer, philosopher, lay theologian, and literary and art critic.
He was educated at St. Paul’s, and went to art school at University College London. In 1900, he was asked to contribute a few magazine articles on art criticism, and went on to become one of the most prolific writers of all time. He wrote a hundred books, contributions to 200 more, hundreds of poems, including the epic Ballad of the White Horse, five plays, five novels, and some two hundred short stories, including a popular series featuring the priest-detective, Father Brown. In spite of his literary accomplishments, he considered himself primarily a journalist. He wrote over 4000 newspaper essays, including 30 years worth of weekly columns for the Illustrated London News, and 13 years of weekly columns for the Daily News. He also edited his own newspaper, G.K.’s Weekly.
Chesterton was equally at ease with literary and social criticism, history, politics, economics, philosophy, and theology.
At first I was put off because I had no idea this was a farce, but once I got where Gilbert was going with this, I adored this madcap philosophical romp.
GK sticks it to modernity in such a fun and uplifting way, and as per usual, you'll walk away with a handful of amusing and profound quotes.
A very strange book. Obvious allegory, but I was not always sure what he was trying to get across. At times it felt like an old Keystone Cops romp. I DO want to try another of his.