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Art in Its Time: Theories and Practices of Modern Aesthetics
What is the role of art in everyday life?
Art writing normally contrasts art with "everyday life." This book explores art as integral to the everyday life of modern society, providing materials to represent class and conflict, to explore sex and sexuality, and to think about modern industry and economic relationships. Art, as we know it, is not common to all forms of society but is peculiar to our own; what art is changes with people's conceptions of the tasks of art, conceptions that are themselves a part of social history. The history of society does not shape art from the outside, but includes the attempts of artists to find new ways of making art and thinking about it.
The essays in Art in Its Time offer a critical examination of the central categories of art theory and history. They propose a mode of understanding grounded in concrete case studies of ideas and objects, exploring such topics as the gender content of eighteenth-century theories of the sublime and beautiful, the role of photography in the production of aesthetic 'aura,' the limits of political art, and the paradox by which art, pursued for its own sake with no thought of commerical gain, can produce the highest-priced of all objects.
Employing an unusually wide range of historical sources and theoretical perspectives to understand the place of art in capitalist society, Art in Its Time shows a way out of many of the cul-de-sacs of recent art history and theory.
Art writing normally contrasts art with "everyday life." This book explores art as integral to the everyday life of modern society, providing materials to represent class and conflict, to explore sex and sexuality, and to think about modern industry and economic relationships. Art, as we know it, is not common to all forms of society but is peculiar to our own; what art is changes with people's conceptions of the tasks of art, conceptions that are themselves a part of social history. The history of society does not shape art from the outside, but includes the attempts of artists to find new ways of making art and thinking about it.
The essays in Art in Its Time offer a critical examination of the central categories of art theory and history. They propose a mode of understanding grounded in concrete case studies of ideas and objects, exploring such topics as the gender content of eighteenth-century theories of the sublime and beautiful, the role of photography in the production of aesthetic 'aura,' the limits of political art, and the paradox by which art, pursued for its own sake with no thought of commerical gain, can produce the highest-priced of all objects.
Employing an unusually wide range of historical sources and theoretical perspectives to understand the place of art in capitalist society, Art in Its Time shows a way out of many of the cul-de-sacs of recent art history and theory.
192 pages, Kindle Edition
First published March 6, 2003
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About the author
Paul Mattick Jr.
9 books15 followersPaul Mattick Jr. (born 1944) is a Marxist theorist and philosopher.
He is the son of council communist theoreticians Paul Mattick Sr. (1904-1981) (author Paul Mattick) and Ilse Mattick (1919-2009).
Mattick obtained his PhD from Harvard in 1981, and is currently chair of the Department of Philosophy at Adelphi University in New York. He was previously the editor of the International Journal of Political Economy, and is the author of several books on philosophy of language, aesthetics, and the critique of political economy.
He is the son of council communist theoreticians Paul Mattick Sr. (1904-1981) (author Paul Mattick) and Ilse Mattick (1919-2009).
Mattick obtained his PhD from Harvard in 1981, and is currently chair of the Department of Philosophy at Adelphi University in New York. He was previously the editor of the International Journal of Political Economy, and is the author of several books on philosophy of language, aesthetics, and the critique of political economy.
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Displaying 1 of 1 review
November 26, 2023
some traits are obscure, but it's a good and concise exposure of the concept of art and society
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