Dionysiac Poetics and Euripides' Bacchae

by Charles Segal

In his play Bacchae , Euripides chooses as his central figure the god who crosses the boundaries among god, man, and beast, between reality and imagination, and between art and madness. In so doing, he explores what in tragedy is able to reach beyond the social, ritual, and historical context from which tragedy itself rises. Charles Segal's reading of Euripides' Bacchae builds gradually from concrete details of cult, setting, and imagery to the work's implications for the nature of myth, language, and theater. This volume presents the argument that the Dionysiac poetics of the play characterize a world view and an art form that can admit logical contradictions and hold them in suspension.

Genres: Nonfiction, Mythology, Criticism, Tragedy, Classical Studies

440 pages, Paperback

First published January 1, 1982

About the author

Charles Paul Segal was an American classicist renowned for his application of critical theory to ancient texts. Although his work spanned a variety of Latin and Greek genres, he is best known for his work on Greek tragedy. His most influential work is Tragedy and Civilization: an Interpretation of Sophocles (1981), in which he presents a structuralist approach to Greek theatre.