John Maxwell Hamilton is the Hopkins P. Breazeale Professor in Manship School of Mass Communication, Louisiana State University, and a senior scholar at the Woodrow Wilson International Center for Scholars in Washington, D.C. Before that he was a journalist for the Milwaukee Journal, the Christian Science Monitor, and ABC radio. His work was also published in The Washington Post Foreign Affairs, The Nation, and the New York Times.
He served in the military as a Marine Corps platoon commander in Vietnam and as a reconnaissance company commander in Okinawa. As a public servant he served as an advisor to the head of the U.S. foreign aid program in Asia during the Carter administration and was working on nuclear non-proliferation issues for the House Foreign Affairs Committee.
The idiocy, triviality, and prolixity of the title telegraph the book's contents well. Awash in faux cleverness and anecdotes that have that apocryphal whiff, it is an apt example of why books about books so often end up on the remaindered table. A few chapters are vaguely interesting (the ones on book reviewing and presidential bookwriting), but in general your time would be better spent learning scrimshaw techniques.
This books was filled with facts about decorating with books, writing books, part time and full time authors, marketing books and stolen books. This book was boring and I had a hard time getting through it.
I tried but just couldn’t get into it. Not rating because in the end I just skimmed it. I just didn’t care about the history of dedications or how to market a book in the late 20th century – which, as we know, is a very different animal from the early 21st.
3.5 stars This is a compendium of information about books: Their writing, selling by authors, selling by publishers, their editing, reading, and reviewing. The author likes to get behind the scenes (or covers) to parts of the book world that readers do not get to see and may not think about. The approach covers both historical and contemporary aspects and has many anecdotes, along with the author’s own ironic commentary. There is a bit of novel research, as the book investigates just how many books on the best-seller list are written by full-time writers (very few) and other minor investigations. There are also a few original interviews.
I found the book fairly interesting and engaging. The writing is not as awful as the lame humor of the title and the fake blurbs on the cover would suggest. I have read in this area before, so I’m not sure how much of the material was new to me, but it was presented in an easy-to-digest way such that the book never seems to drag. Of course, everyone will be interested in some aspects more than others. If you don’t care about publishers’ marketing strategies, maybe you’ll enjoy the section on the Library of Congress (very complete) or the chapter on book theft. The early parts of the book contain more anecdotes, such as interesting thank-yous and acknowledgments in literature. I didn’t read the book straight through, but rather would use it as night-time reading for a week or so, then put it down and read something else, and then pick it up again.
This is the perfect kind of book to have in one’s guest room, as someone could dip into it to read a chapter and not miss much from not having read the earlier or later parts of the book. Of course, guests are not reading books you leave in your guest room any more, and that points out another aspect of the book—that some parts of it are dated, in spite of the fact that the book is not that old. Well, I found that material to be interesting nonetheless, as a window onto how things used to be done. If you’re interested in the digital world of books and how books are published and read in the 2020s, you’ll have to find a book published in the last few years. Or perhaps you could self-publish such a work yourself. Fortunately, Casanova has a number of sections on self-publishing too (see the helpful index).
It’s dated, published in 2000, at the cusp of the boom of technology and internet. It was cringey to see nonfiction teasing “will they, won’t they” on a subject, when, 20 years later, the outcome is obvious, but that is no fault to the author who put in a tremendous amount of effort into this clever book. An avalanche of information that is broken up with witty historical quips, a well placed example, or a blown up picture. Also, because it is so jam packed with reference after reference, you learn to enjoy the book as is, quickly and without second thoughts.
"n-a-k-e-d-" is a strange way of spelling "boring." This book is really not interesting or provocative. Hamilton spends a bizarre amount of time praising the Marquis de Sade as some sort of exemplar of humanity-literary behavior, followed by a preponderance of vitriol against religion and American presidents. The attentive reader will also need a new hypocrisy meter after reading this, since it will overload and break somewhere around chapter 3. Hamilton lambastes authors who use assisting teams, ghostwriters, and amanueses ... all the while telling us how his graduate assistants (the goofy way college professors have of spelling "indentured servants") gathered much (if not most) of the information retold within these pages while he was busy doing not his own research. Hamilton lambastes boring and meaningless dedications in books ... apparently forgetting the fact he has one in his own book. In chapter seven, Hamilton feigns he is going to finally reveal the "most stolen books," then backpedals with an excuse to the effect of "librarians don't like to talk about it," and finally pretends to give us a list of the most stolen books - but really are just representatives of types of books that probably get stolen a lot. This book promises so much, yet despite an intriguing story-filled opening chapter, delivers mostly sub-interesting minutiae, vitriolic caterwauling, and a fecundity of dullness that even Thomas Shadwell might find lame. Hamilton spends a chapter decrying the absence of negative reviews of books: here you go, sir.
I’m a novelist and an independent publisher. I’ve been studying these things for ten years, and it’s taken a close study because “these things” have been changing. After two centuries of glacial adaptation the digital age has forced a rapid change on the world of book publishing. At the same time, the world is seeing more writers than ever before, more books than ever before, and with these things comes a surprisingly widespread interest in the process of making books—whether that’s a desire to participate in (and profit from) the process, or simply a curiosity concerning a favorite pastime. In Casanova Was a Book Lover John Maxwell Hamilton satisfies that curiosity with a fun, engaging, and remarkably in-depth description of the writing process.
- a very enjoyable collection of interesting, quirky, book-related facts. Humorous dedications, the-most-stolen-books, strange publicity campaigns, author's luck (good and bad), famous plagiarism, writer's salaries, and behind-the-scenes at the U.S. Library Of Congress (the largest collection of books on earth!) - of e.e. cummings (a favourite poet of mine): 14 publishers turned down a book of e.e. cummings in the 1930's...he borrowed $300 from his mother to subsidize its publication.
I was surprised how interesting this book was, and I can definitely see it as a staple for my library....someday. The facts presented were interesting yet the writing style seemed almost monotonous or droning. When I have Eclipse waiting in the wings, it was difficult to stay focused. All sorts of wonderful tidbits to be had within its pages....I'll be back!
The titular character had many strings to his bow and being a writer was among them. This is a wonderful, insightful, educational and easy-to-read book about the importance of reading literature throughout the centuries and the various people (critics, authors, reporters, presidents, etc.) who have gotten involved with books.
This book was really fun to read, I recommend it to book lovers. From a graphic demonstrating that great presidents do not necessarily equal great presidential writers to a discussion of the demise of book reviews, the book covers the gamut of things book related.
"There are few things I enjoy so much as talking to people about books which I have read but they haven't, and making them wish they had-preferably a book that is hard to get or in a language they do not know." - Edmund Wilson
I thought the information in this book was very vast and I learned a lot from only a few chapters on the history of publishing. Very interesting if your a book nerd.