The Penguin Book of Bengali Short Stories, edited by the prolific Arunava Sinha, is a literary treasure trove that beautifully captures the evolution of Bengali fiction from the 19th to the 21st century. As a proud Bengali reviewer, I find this anthology to be an exceptional testament to the richness and diversity of our literary heritage, and it fills me with immense pride to see our culture so meticulously represented.
This collection comprises 37 stories spanning nearly 500 pages, showcasing the works of literary titans such as Rabindranath Tagore, Ashapurna Devi, and Sunil Gangopadhyay, alongside contemporary voices like Manoranjan Byapari and Anita Agnihotri. The inclusion of Bangladeshi writers such as Shahidul Zahir and Selina Hossain highlights the shared cultural heritage of Bengal across national borders, making me proud of our literary unity and the enduring influence of Bengali culture.
Sinha’s careful curation ensures that each story adds a unique voice to the collection. The anthology opens with Tagore's "Dead or Alive?" (1892), a ghost story that skilfully blends supernatural elements with social realism. This narrative sets the stage for the diverse storytelling styles that follow, from the satirical "The Philosopher’s Stone" by Parashuram to the poignant "Pikoo’s Diary" by Satyajit Ray. As a Bengali, it is a matter of great pride to see Tagore’s profound influence and the timeless relevance of his work.
The anthology does not merely focus on the literary giants but also includes lesser-known yet equally impactful stories. For instance, Purnendu Pattrea’s tender dialogue between lovers and Parashuram’s hilarious tale of a man who discovers a philosopher’s stone are delightful reads that showcase the breadth of Bengali storytelling. These stories reflect the everyday lives and deep-seated values of our culture, making me proud of our literary heritage.
Kolkata, the cultural hub of Bengal, features prominently as the backdrop in many stories, almost becoming a character in itself. The city’s vibrant landscape and its influence on Bengali writers are palpable throughout the anthology. This connection is particularly evident in the works of writers who were part of Kolkata’s bhadralok, or bourgeois intellectual class, who played a significant role in shaping modern Bengali literature. As a Bengali, I am proud of Kolkata's contribution to our literary and cultural legacy.
The anthology also reflects the paradox of colonial influence on Bengali literature. While the British colonial rule brought about cataclysmic changes that Bengali writers resisted and critiqued, it also introduced modern literary forms and printing technology, which were instrumental in the development of Bengali prose. This duality is a source of pride, showing how Bengali literature has evolved and thrived despite historical challenges.
Sinha’s selections are both thoughtful and inclusive, representing a wide array of themes such as land wars, famine, caste system, religious conflict, patriarchy, and the Partition and Liberation War of Bangladesh. This diversity ensures that there is something for every reader, making the anthology a comprehensive introduction to Bengali literature. As a Bengali, it fills me with pride to see such a broad spectrum of our experiences and histories being shared with the world.
In Bengali tradition, a collection of stories is often referred to as a mala, or necklace, symbolising a string of precious gems. The Penguin Book of Bengali Short Stories is indeed a mala, each story a gem that collectively narrates the complex and rich history of Bengali prose. This cultural metaphor deeply resonates with me and makes me proud of our literary traditions.
Arunava Sinha’s translations are exceptional, capturing the nuances of the original texts while making them accessible to an English-speaking audience. His work ensures that the beauty and depth of Bengali literature are appreciated by a global readership. This anthology is not just a collection of stories; it is a celebration of Bengali culture, intellect, and resilience. As a Bengali, I am immensely proud of Sinha’s contributions to bringing our literature to the world stage.
In conclusion, The Penguin Book of Bengali Short Stories is a landmark anthology that should be cherished by anyone interested in the literary and cultural heritage of Bengal. It is a testament to the enduring power of Bengali storytelling and a proud reflection of our rich literary tradition. This collection is a source of great pride for Bengalis everywhere, showcasing our culture's depth, diversity, and enduring legacy.