Look at that cover. Does this not feel like a Bailey School Kids entry? Count Dracula Doesn't Teach Remedial Courses.
I read a book as a kid--the title of which escapes me--about a misunderstood vampire who survives on tomato soup and wants to be a standup comedian. "What did one bat say to the other? Nothing, bats can't talk!" (I recall that one is described as "bringing the house down" amongst his audience of children.) If you told me Nicholas Pine was a pen name for the children's author who wrote that other book, I'd believe you. The vampire hunter repeatedly refers to the central antagonist as "Bat-boy", for God's sake.
Night School has a vain and rude protagonist, which is usually a good sign as it means she at least won't be boring. Her name is Stacey, and she can't wait to leave her small town behind and become a model in New York. She's sixteen and already has a car, which makes you wonder why she doesn't simply drop out of school and start pursuing her goal, but this never seems to cross her mind--I guess the author is trying to show that she's entitled and lazy and just thinks this opportunity will be handed to her. Anyway, Stacey has breezed through high school running a number of schemes to keep her grades up without doing any actual work, and she finally gets caught after she's unable to talk her way out of a standardized test. She's threatened with suspension unless she goes to night school. Enter Chandler Carr--a strangely hypnotic teacher who's always "too busy" to meet during the day.
The pacing of the book is all wrong. The first act follows Stacey as she dreams about her jet-setting future, pays smart kids to do her homework, and generally manipulates other students and teachers to get her way. This is probably the best part; Stacey is a camp soap opera villain with the potential for depth and insight, like Cordelia on Buffy. Unfortunately, she never seems to learn any sort of lesson or grow as a person. You would think that she would be tempted to let Chandler turn her into a vampire because that would be a great advantage in her future career as a model--never age, sleep all day, party all night, never have to eat food or gain weight, perfect pale skin with blood-red lips, etc. But this isn't the case; she simply wants to become a vampire because she's in a hypnotic swoon over Chandler, overcome by the romantic temptation of becoming his eternal undead bride. I find this story path much less interesting.
Stacey's mean-girl persona evaporates and she becomes indistinguishable from any other heroine in any other paranormal romance. (Their fog-shrouded meetings in dreams are extremely reminiscent of the Midnight Secrets trilogy I read last year.) Then another guy shows up with fifty pages left to snap her out of her reverie, and she immediately flips to being a good girl who pays attention in school without the author having to earn this transformation. It's essentially like placing your main character into a Plot Coma and having them awaken later with an entirely different personality; even though time has passed and they have changed, you can't exactly pretend that's an arc, you know?