So much fun! It’s been compared to the DaVinci Code but it’s much smarter and was published almost 15 years before. Fantastic find from my local book sale!
Isobel Sadler wakes in the middle of the night to discover an intruder in the house. She’s naturally cautious as she takes a look from her staircase balcony but more than that she’s perplexed, as she’s been steadily selling off anything of value in the house to pay for the day to day operations of the family farm since her father passed away. The would be thief makes directly for an historic family painting that’s rather mysterious in subject matter and even more hideous in execution. The intruder, cleverly disguised by a motorcycle helmet, is in for a surprise when Isobel starts hurling table vases and old house decor from the balcony with shockingly accurate aim. In these intro pages and this scene author Peter Watson firmly establishes Isobel as an admirable heroine rather than a fainting bystander.
Isobel takes the painting to get a second opinion. She’s referred to Michael Whiting, art dealer, gambling man, wears the unfortunate choice of brown corduroy suits (this was written in 1989 so I guess I should give him a pass but still - cringe!) and smokes too many damn cigars. I guess this is Watson trying to establish his leading man as suave and sophisticated but it reeks of trying too hard. Anyway it’s a small grumble for otherwise very likeable characters with a definite attraction and budding romance.
Michael discovers a hidden meaning to the picture- a landscape featuring nine figures, some ruins, a river, each holding an artifact/treasure of some sort. The painting is essentially a treasure map, the figures and landscape clues, the items each figure holds advertising the contents of the buried treasure.
I was disappointed about 100 pages in when I realized a plot expectation would go unfulfilled. I thought that as they raced to discover the identity of each figure in the painting, they would be lead to a different location and find the artifact that particular figure was holding. That would make for more instant gratification moments during the long race - as Isobel and Michael rush to beat the unknown intruder who is also on the chase. But not so! It’s not even fully explained. Michael and Isobel just jump from one figure and one location to the next, the full treasure revealed only when they get to the end of the clues. I wish this structure was more clearly laid out at the beginning of the book. Again, a small gripe.
Overall this was full of adventure and history and hidden meanings and religious symbolism and mythology and travel across the British countryside and romance. There was a shocking intensity to the rivalry from their unknown opponent and his violence toward the last third of the book alarmed me (it is more of a thriller than I was anticipating) but didn’t deter from the overall enjoyment.