“This is not possible. There should be a carpet of corpses by now. I don’t see a single bloody one!”
For zombie apocalyptic delight blended with historical authenticity (well … except for zombie-part), Abaddon Books’ The Secret Zombie History of the World is as entertaining and grisly a package as one could hope for – the perfect grimoire to while away hours and hours in a horror-coma of monsters, Vikings, tall ships, and castles. The three novels included in this omnibus span more than 900 hundred years, but aside from their common antagonists – the unrelenting dead! – the tales have two other points in common: rich stories overflowing with immersive, historic detail.
The first book is Tony Venables’ five-star Viking Dead which (not surprisingly) pits the Norsemen against the undead. Under Venables capable pen, a clan of otherwise rapacious Viking marauders evolves into something closer to a D&D-inspired party of adventurers as the crusty, but honorable captain of the Hrafn Bjolf Erlingsson inducts the youthful Atli into his crew. Venables adroitly juggles a giant-size cast of characters, painting a vivid picture of Viking life and crew, while striking a compelling tale of the risen zombie dead. An origin of the zombie infestation was not required, but when Venables finally delivers it, it’s an earth-shaking plot twist that wraps this story up in booming crescendo.
Paul Finch’s Stronghold, on the other hand, does nothing to caramelize its cast of English knights, Welsh warriors, and Celtic priests whose wanton depredations made even this reader uncomfortable. As realistic a depiction of medieval siege warfare as in any history book (and clearly better than those … because … like on cherries on ice cream … there’s zombies on top of those trebuchets!), Stronghold is the omnibus’s pièce de resistance. Compelling, gritty, gruesome and unforgettable, this is a rock-solid, five-star tale. Like its predecessor, Finch gives us an inventive zombie-origin story inspired by Celtic myth that pulls no punches and is absolutely unsentimental in delivering a brutal time capsule of life (and unlife) in the Middle Ages.
We finish with Matthew Sprange’s Death Hulk as the English frigate Whirlwind is dispatched to face off against a French naval marauder only to run afoul of a vengeful, ghoul-crewed, ghost ship, the Deja. Sprange paints a vivid – if not exactly appealing – picture of life before the mast, and this book is at its best when the cannons roar and sabers rattle. It is, however, a slightly weaker novel than its brethren. Sprange hangs a suitably nasty curse around protagonist Captain James Havelock’s neck that provides a starting point for the creation of the ghost ship, but whether it’s by design or coincidence, the whole thing does feel very Pirates of the Caribbean. It was also an odd choice to have the English sailors already familiar with ‘zombie troops’ on continent as it robbed the Deja of some its uniqueness. Four stars for this one.
Regardless, there is not a true stinker in this whole volume and, planned or not, the collection marks an interesting parallel between man and zombie. The freest of the living men are the earliest in history, the Norsemen bound to their boat and comrades by choice. As the ages progress, the living come closer and closer to resembling the dead, compelled by lords or impressment into service with ‘self-determination’ increasingly ephemeral. The sailors on the Whirlwind, for example, feel very close to the Welsh undead, compelled to fight at the whim of their government puppeteers.
As we get toward the end of the 2022, it’s nice to hit yet another five-star book. For zombie fans, track this one day either as a collection or in its respective parts. It’s worth a chew.