The public outpouring of support for newly elected President John F. Kennedy in 1960 was only exceeded in scope and magnitude by the manifestations of grief and mourning after his assassination in 1963. These responses had an unusually strong visual likenesses of the president were framed in shop windows, pinned to living room walls, and plastered in public spaces across the nation. Fifty years after Kennedy’s death, this book observes the public’s reaction to the president’s election and assassination, featuring many photographs published here for the first time. In his travels throughout America during this period, Lee Friedlander (b. 1934) encountered these responses and photographed what he witnessed. From Washington, D.C., to Buffalo to Minneapolis to Los Angeles, Friedlander has captured a moment in American history that galvanized the nation and continues to resonate today.
Lee Friedlander is a seminal American photographer known for his innovative images of city streets. Often featuring candid portraits of people, signs, and reflections of himself in store front windows, Friedlander’s street photography captures the unexpected overlaps of light and content in urban landscapes. “I’m not a premeditative photographer,” he has said. “You don’t have to go looking for pictures. The material is generous. You go out and the pictures are staring at you.”
Born on July 14, 1934 in Aberdeen, WA, he studied at the Art Center College of Design in Pasadena before moving to New York in 1956. Influenced by the work of Eugène Atget and Walker Evans, he attempted to see things as if a step removed, spontaneously reacting to all the potential images in front of him. Along with Diane Arbus and Garry Winogrand, Friedlander was represented in the historic “New Documents” exhibition at The Museum of Modern Art in 1967, curated by John Szarkowski. He went on to publish his acclaimed photobook The American Monument in 1976. More recently, in 2010, Friedlander published America by Car, a book which was accompanied by an exhibition at the Whitney Museum and featured a series of photos that were taken on road trips from behind the wheel of rental cars. The artist continues to live and work in New York, NY. Today, his photographs are held in the collections of the Art Institute of Chicago, The Metropolitan Museum of Art in New York, the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London, among others.