2026 reread:
Someone recently posted on Reddit asking for recommendations to fulfil a prompt in a reading challenge which called for reading a Booker-nominated book. They were not big on literary fiction, so they asked for recs for shortish, funny, readable books. Did any such books ever get nominated for the Booker? My mind immediately went to Skios, and after writing an enthusiastic post recommending it as an option, I was tempted to take a break from my slog through the 2026 longlist (it's not going great) and revisit it.
Oh, I had such fun! It was just as perfectly executed as I remembered, like clockwork, deceptively light and effortless, but with plenty of depth. I particularly appreciated the ever-increasing ratcheting up of the tension and how all the many threads were gathered closer and closer, ready for the climactic ending. Maybe that ending doesn't quite deliver the punch it was building up for, and this time I'd maybe fall on a 4.5* rating rather than a full-throated 5*, but it was still plenty satisfying, and I'm rounding up just for Spiros and Stavros.
I was interested to see just how polarised the highest rated reviews here in GR are. Even though there is the usual bell curve in ratings, all the top ones seem to be equally divided between 1* and 5*, and the overall rating is pretty low. I need to remember this the next time seeing such a low rating turns me off from reading something.
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5* review from my first read in 2012 (review published in 2013):
Farce is not my favourite kind of comedy. I tend to find it tiresome and annoying, but that's probably because it's ridiculously hard to do well; therefore, in most cases, it's badly done. Skios is high farce, but it is also beautifully done, and I loved it.
The setup is, almost by definition, ridiculous and improbable. Oliver Fox arrives at Skios for an assignation with a married woman. He sees a beautiful young woman holding a sign for Dr. Norman Wilfred and, on impulse, approaches her. She assumes he is, indeed, the eminent scientist Dr. Wilfred (although he looks a lot younger and better looking than in his photograph) and carts him off to the prestigious conference she's organising, where he's expected to deliver the final lecture.
When the real Dr. Wilfred walks out past customs, there's no one holding a sign with his name on it. There's a taxi driver waiting, though, and he takes Dr. Wilfred to a house that's already occupied by a madwoman who thinks he's some sort of rabid rapist. The woman is called Georgie, and she was expecting her lover, Oliver.
On the surface, this is pure entertainment, and it really is fun and hilarious. The farcical elements are choreographed like clockwork and the funny bits are hilarious. I'm sure just reading it would already be funny, but the delivery achieved by Martin Jarvis, the narrator of the audiobook I was listening to, made it even more so. The scenes with the taxi drivers, particularly, made me almost cry with laughter.
But there's a lot more to it. The satire is extremely well-observed and spot-on, not relying on meanness or easy targets. There's also a deceptive depth to the characters. Oliver, for instance, initially comes across as a charming rotter, simply out for a lark. But after a while, it becomes clear there's more going on inside his head, a touch of something darker than one might assume. And Dr. Wilfred, boring pompous Dr. Wilfred, discovers a side to himself he never knew was there.
Just fantastic.
MY GRADE: An A-.
AUDIOBOOK NOTES: As I mention above, I listened to the audiobook narrated by Martin Jarvis, and it was fabulous.