A better title would be "We Are Just the Worst."
Another option, based on all the facial tics with lips quirking and curling and brows furrowing, "Coping with Tardive Dyskinesia"
I was disappointed with the initial offering of "When the Past Finds You", so I shouldn't be surprised; but I did not expect to dislike Isla more than her stepmother, Lynda. Lynda, in the first book, abused her position of power to exploit a relationship with/then have sex with a subordinate named Wil. A woman she knew and half-raised from when Wil was 8 and Lynda was 29. From an "eww" factor, yes Lynda is worse, but having to deal with Isla the Pill, could have broken her.
In "the Worst", Isla is (I think totally unintentionally on the author's part) an unreliable narrator. Yes, her mother died when she was 4 and her father died when she was 12 or 13, but she comes off as if she was raised in a rundown trailer, padlocked in her room every night, and forced to fight her sister for the Pop Tart breakfast and the nightly Hot Pocket. Instead, it seems she had a rather normal middle-class upbringing by a step-mother who, while not doting and calling her brilliant (as her love interest Andry does incessantly) kept the home and cared for her in a situation that a less pathologically selfish person would have recognized as a terrible situation for all of them. Her chapters cannot be trusted.
How do we know this? Isla's sister, Ashlyn? Ashling? Acelyn? Aishling (I don't know, I had the audiobook and the narrator pronounced it a few ways)--she seemed fine with it. She called Lynda "Mom" without hesitation. Granted Ash seemed to have bad relationships because she was straight and, really, she doesn't make a physical appearance in this book (and only as a mute child in the previous book). So, it's possible she is a group delusion. In fact, if she had died with the father and was a ghost/mass hallucination, that would have made this book far more interesting.
However, as it is, a friend and I have decided that this book is actually a one woman play where Isla is locked in a padded room playing with dolls in her closet named Wil, Andry, Lynda, Ash$%@, Alice and so forth.
Anyway, to further support the notion that this is a fever dream, Isla is renowned as a prankster, yet the majority of the pranks committed are pathetic--literally of the "boo" variety. Andry enables Isla by telling her that pranks such as these are "brilliant". Isla is blown away by Andry's sophistication when she puts tape over Isla's mouse to subtly make it stop working. Isla is such a great prankster; she traps herself in the room where she set up the surprise then curls up into a ball and cries. Why? Lynda texted her! Can you imagine the horror of it all? A text! I'm surprised she didn't call 911. Admittedly, Isla's pranks escalate, but sadly not into the horror genre. First, she puts up hundreds of copies of photos of Andry across the school and in EVERY classroom. Then she gift wraps Andry's office--completely. EVERY item. Later, she fills Andry's car with what must be thousands of little rubber balls. Somewhere in there, she has her students risk explusion by faking
a fight simply to break into "Happy Birthday, Andry". We are supposed to believe everyone loves this stuff and isn't annoyed to the point of an aneurysm. I will say Andry's retaliatory pranks are more intelligent...but far fewer.
If this book was called "Prank War!", this would make sense. But Isla is an elementary school teacher. They don't make much money and they don't have a lot of free time during the school year. Yet, the amount of time and money she invests in carrying out those later pranks is mind-boggling. If she spent that time and resources into helping her students, she might actually be as great a teacher as they claim. Then again, they claim she is a great prankster, and she is not that either. I mean, I understand why the kids would love her since he behaves like a child and repeatedly ropes them into participating in pranks on the principal.
How bad is Isla as a teacher? This one subplot in the story makes it clear. A student named Alice has her father die from cancer (he dies unexpectedly yet has had it for years? I'm not sure Adrian understands how cancer works). Anyway, he dies during the school day and Andry wants Isla present as she is her primary teacher and has experienced the death of a parent as a child. This seems reasonable. Yet Isla (and Andry it seems) are shocked to hear about the death. A "great" teacher probably would have known that one of her children's parents was dying. Yet, Adrian writes it as if not even Alice's friends know what is happening. Regardless, Isla watches as the news is broken to Alice and instead of comforting the child, she makes it about herself and her ancient memory of her father, and flees outside so she can cry. Forgivable, perhaps, if she can pull herself together and go back inside--but no. She figures she can be there for Alice tomorrow (as if Alice was going to go to school the very next day). Then she spends the rest of the day being depressed (FOR HERSELF) which brings Andry over to coddle her and tell her how strong she is for running away from a grieving young girl.
That's bad enough. However, eventually she does talk to Alice and tells her about her mom dying and then her dad. She says it's not, but in part it does come across like some sort of childish, "I've had it worse than you, crybaby!" Still, she says she understands Alice's grief and will be there for her.
ASIDE: Isla, and be extension Adrian, declares to Andry that Alice will be angry with her father. Alice does reveal she is, indeed, angry with her father for dying. What pop psychology crap was Adrian reading that led her to think everyone gets angry at the person who died? At best, it's a lazy movie cliche. If the person died because of their bad decisions or reckless behavior, I'd understand being angry with them at times. However, if the person was murdered, died from negligence of others, or an "act of god" like a disease or tornado then...no. Angry at the unfairness of life or the stupidity and cruelty of others sure. Sustained anger at the victim? No. Unlessssss-- one is pathologically selfish and self-obsessed and takes random events as personal attacks.
Now, Isla tells Alice she will be there for her. Okay, that's a good start. Alice's mom thanks Isla (off-page). So, what happens the first time Alice needs her? Let's see: Alice comes to Isla crying. Not about her father, but because her best friend is leaving her too. Oh no! But wait, this bestie doesn't go to their school. She goes to a school across town because her mom is a teacher there, and they are leaving because the father is military and being PCS'd (Permanent Change of Station).
Does Isla comfort Alice? Nope. She immediately stops thinking about Alice and starts plotting. There's an opening at this other school! She has the inside track because it's not even announced yet! She applies IMMEDIATELY. She is shocked when she learns that the principal at this school is Chris, Andry's ex-wife. GASP! Much like her lack of knowledge of Alice's father dying, Isla who has known Andry for 8 years and lusted for her for months, doesn't know where Chris works? There are only 30 elementary schools in Cheyenne, Wyoming and barely a 3% LGBTQ population. Yet, two of the schools are headed up by lesbians who have doctorates. Isla has been a part of this educational system for as long as she's known Andry. This is something that people would have mentioned, especially when the divorce happened. Teachers talk.
So, even though her kids adore her, and Alice has lost her father and is losing her best friend, the "great teacher" who knows exactly how traumatic such a loss can be, convinces herself that her leaving mid-year after making promises to be there, is "for the best". For whom? Oh, for Isla of course. There's not even a scene where she explains this to her students or simply says goodbye. She simply doesn't come back after the break. Andry enables once again. She admits, after she thinks their unethical relationship might be revealed, that doing the move before the summer was "incredibly stupid" but once she learns Chris will keep the secret to herself, she's okay again. She couldn't be happier that Isla is leaving and Isla couldn't be happier to be leaving. Neither mentions that, "Oh, Isla's students don't have a teacher." "Oh, Isla's students will probably be devastated." "Oh, Alice's very life may be in jeopardy from a third traumatic loss in as many months."
None of that happens. All that happens--ALL that matters--is that Isla and Andry can have sex without fear of losing their jobs. Andry says Isla is passionate about her kids, yet the first time she is pressured, she couldn't sacrifice a few months and behave like a caring adult because having sex was more important.
Picking nits: As noted at the beginning, the author uses repetitive phrases. Brows are furrowed at least once a page it seems. Lips curl into smiles every damn time. The less said about "Forever Friend" the better. Apart from repetitious, phrases like "lips curl into a smile" are bloated. There is no need to describe the visual mechanics of a smile. A smile, by definition, has lips curling. Why say lips at all? What other body part would smile? Use words to describe the smile (sardonic, wry, half whatever) but don't describe how the smile happens. Now, if her "nose curled into a smile" I might be intrigued at the body horror.