The Canadian literary critic Northrop Frye considered Niven to be a "writer of brilliant promise". He was reviewed favourably by Hugh Walpole, Christopher Morley, Rebecca West, and Katherine Mansfield. However, he never reached the top echelon of either Scottish or Canadian authors. His first novels were influenced by Robert Louis Stevenson and the hero of penny dreadfuls, Deadwood Dick. The quality of his works varied greatly, several being nothing more than potboilers. Niven's literary reputation rested mainly on his early novel The Justice of the Peace. His Scottish novels are thought to be superior to his Canadian ones. The critic Edward McCourt ascribed this to Niven's emigration to Canada in middle age, and imperfect assimilation of the mores of his new home. Niven was a careful stylist, and his writing showed qualities of wit, humanity, and intelligence. His ability to write memorable poetic descriptions has been remarked upon. The plots in his Scottish novels are not well developed, relying rather on an evocation of character and atmosphere. Despite the diligent sourcing of historical data, Niven's Canadian trilogy is marred by frequently wooden characters. One noted structural defect in The Flying Years is the too rapid passage of time, making it seem episodic. The latter novel is the only one of Niven's works to be included in the New Canadian Library series.
Frederick John Niven was a Canadian novelist of Scottish heritage. A prolific author, he produced over thirty works of fiction, an autobiography, poetry, essays, and pieces of journalism.
Niven was born in Valparaiso, Chile, the youngest of three children. His father manufactured sewed muslin, while his mother was a Calvinist born in Calcutta. When he reached school age, he accompanied his mother to Scotland. He was educated at Hutcheson's Grammar School, Glasgow, where his heart trouble prevented him from swimming. First employed in his father's factory, he later worked as a librarian in Glasgow and Edinburgh, and also had employment in a jewelry shop. He attended the Glasgow School of Art during the evening for two years. On the advice of a doctor, in his late teens Niven moved to the drier climate of the Okanagan Valley in British Columbia. He worked on a railroad near Savona and dug ditches in Vancouver. When he was twenty years old, he spent a summer tramping in southern British Columbia, later portrayed in Wild Honey. His return to Scotland was aboard a cattleboat from Montreal, a setting recreated in S. S. Glory (1915).
After his arrival, he contributed western sketches to the Glasgow Weekly Herald, and later, to The Pall Mall Magazine, eventually becoming a journalist. His first novel, Lost Cabin Mine (1908), was a Western published serially in The Popular Magazine. His second, The Island of Providence (1910), a historical romance of 17th century Devon, contained scenes replete with pirates and buccaneers. His first foray into realistically depicting Scottish life was A Wilderness of Monkeys (1911).
In 1911, Niven married Mary Pauline Thorne-Quelch, a journalist fifteen years his junior. In 1912 and 1913 the couple spent several months travelling in Western Canada prior to returning to London before WWI. Niven was rejected for military service due to his heart condition. He spent the war working for the Ministry of Food and the War Office. This period, the years 1913 to 1920, was most productive, and included the publication of Justice of the Peace (1914), which many, including his wife, consider to be his finest novel. His first volume of poetry, Maple Leaf Songs, appeared in 1917.