About 2.5 Stars, rounded down because I've finally realized that, OMG, all of this author's characters and stories and dialogue and prose are more or less the same from one book to the next, like to the point where I honestly find myself wondering if she copies and pastes from old manuscripts rather than writing wholly new and original material!
This book gave us a promising beginning and fairly strong end, but an incredibly frustrating and meandering middle. The subplot about an arsonist was mildly interesting but ultimately executed in a really sloppy way. Jack was likable enough but ended up identical to almost every single Shalvis hero ever, which was a shame because in initially he seemed to have a slightly more distinctive personality. Leah was very relatable to me, but her admitted tendency to run from conflict proved frustrating to read about over and over.
The main "plot" (or lack thereof!) involved the characters having sex, having the same endless, circular discussions with themselves and each other about how that sex shouldn't mean anything, and then...having more sex. I think maybe I should start limiting myself to Shalvis books that have a stronger element of mystery/suspense or just some plot beyond her usual tired thing: the H and h are obsessed with sex but lamely convince each other it doesn't mean more than that, have more sex, more of the same discussions about why the sex doesn't matter, and then randomly decide just in time for the book to end that---shocker---all that sex DOES mean they're supposedly in love after all.
This one at least hinted at a deeper emotional connection beyond Shalvis's usual heavy focus on physical attraction/interactions since they were friends from childhood, but as others have pointed out, for the most part Leah and Jack communicated more like awkward, distant acquaintances. If not for flashing back to the past, you'd never guess from their present interactions that they had any sort of bond. They're not especially open and honest with each other or even themselves, but they do have a physical attraction, which I've realized is the aspect of romance that Jill Shalvis seems to value or at least enjoy writing about most. (By the way, even Shalvis's minor characters who are already in supposedly deep and meaningful relationships all talk incessantly about 'getting some' and never seem to have any interest in any of the emotional aspects of a romantic relationship, lending weight to the common criticism that Shalvis writes romances about people in lust rather than in love)
I did relate to Leah since her flaws are similar to mine, and, as always, there were some funny and oddly inspiring (albeit fortune cookie-ish!) lines. It's those handfuls of funny and inspiring lines that keep me strangely addicted to Shalvis's books despite feeling more and more like they're 1. not especially well written and 2. are FAR too similar, with nearly identical heroes, "plots" (again, lack thereof), and even some of the exact same lazy descriptions and dialogue used over and over. ("She was sexy as hell, smart as hell, tough as hell." "Oh, shit. Shit. SHIT!" ---yes, Jill, we know you think tough guys cursing on every page makes them super cool. And then there are the identical, shallow and repetitive conversations among the three male friends and three female friends---and yes, there are always exactly three male friends and three female friends. The same exact descriptions of setting, people, sex, etc. There's sticking to a winning formula and then there's lazy, cookie-cutter repetitiveness, and Shalvis's books seem to be veering into the latter category for me :))
I've definitely derived some enjoyment from these books and think most readers will too, but I also think I need to try to break free of my addiction to this author and search for a different writer to fill my cravings for contemporary romance---preferably one who writes with more cleverness, originality and style, whose heroes aren't always the EXACT same and not especially interesting cardboard 'type', and, most of all, a writer who explores emotional and intellectual connections rather than just the physical side of romance!