Beara: Dark Legends... by Brian O'Sullivan
Book One of a Trilogy
Every once in a long while, there comes a book that is totally absorbing, from start to finish, one of those books that you don't want to end. “Beara: Dark Legends” by Brian O'Sullivan, is just such a book. Ireland has always punched well above her weight for her relatively tiny population, particularly in literature, and this novel is no exception. The author, a native of Cork, Ireland, but presently residing in Wellington, New Zealand, was a recent Writer in Residence at Victoria College in Wellington. It is easy to see why he was granted that position. O'Sullivan writes with a distinctive Irish voice, reminiscent at times of the ready wit of Brendan Behan and Roddy Doyle, coupled with the suspenseful narrative styles of Robert Ludlum, Dan Brown, and Tom Clancy, along with a dash of the macabre bent of Stephen King. O'Sullivan is all of those, yet he is none of them. His style is very much his own. It is an engaging one and draws the reader in from the very first paragraph. The immediacy, the very intimacy of his writing carries us along to the novel's exciting conclusion, leaving us hungry for more. The first installment of a trilogy, “Beara:Dark Legends” takes us to the Ireland of the early 1960's and to the Ireland of 2008. The novel vacillates between these two time periods and brilliantly links the two eras to the main plot, which has been likened to a sort of “Irish” Da Vinci Code. In a way, it is that, yes, but it is much more.
The protagonist, Mos, is an historian, a bit of a recluse, a world authority on the Fenian Cycle, the saga of Irish Hero, Finn MacCool (Fionn mac Cumhal), with whom we are to become well acquainted as the novel progresses. As such, Mos is drawn, reluctantly, into a perplexing and ultimately violent scheme to retrieve a valuable relic associated with the ancient warrior, Finn.
In “Beara: Dark Legends”, O'Sullivan introduces us to one of literature's most fiendish villains in a certain Dr. Caspar, the staggering banality of his evil equaling that of a Hannibal Lecter. We also become acquainted with the mythic “Puca”, a demonic shape-shifter frightening enough to keep even the bravest awake at night. There are plenty of finely drawn characters throughout, Mos's uncle and his neighbour, his exotic and mysterious girlfriend, a local Garda (policeman) whom no one seems to like, characters so real that the reader can easily imagine wandering into a local pub and sharing a pint of Guinness or a cup of tea with them. The delicate and often amusing turns of phrase so peculiar to the Irish are present throughout, making for an entirely delightful read. To accomplish this in a novel, which is also fraught with tension, mystery and suspense is no easy task but one which O'Sullivan has perfected. Irish Gaelic is sprinkled liberally throughout, but the uninitiated reader need not fear, as immediate translation follows. It is hard to imagine the novel without it, frankly, as it lends so much authenticity to the narrative. As well, O'Sullivan summons the achingly beautiful land and seascapes of Ireland: her green, stony fields, the peat bogs, the rocky beaches, her grey, crumbling manors, her misty, foggy mornings. In effect, you can virtually visit Ireland, “the auld sod”, without leaving your armchair.
If you are looking for an intelligent novel, a riveting mystery, an edge-of-your-seat thriller, an absorbing look into Irish culture and mythology, then “Beara: Dark Legends” is for you. I only hope that Mr. O'Sullivan does not keep us waiting too long for the next two installments of his trilogy.
Jonathan O'Mara, M.Ed.
Whitby,
Ontario
Canada