Fantasy, Forgery, and the Byron Legend

by James Soderholm

Byron was―to echo Wordsworth―half-perceived and half-created. He would have affirmed Jean Baudrillard's observation that "to seduce is to die to reality and reconstitute oneself as illusion." But among the readers he seduced, in person and in poetry, were women possessed of vivid imaginations who collaborated with him in fashioning his legend. Accused of "treating women harshly," Byron "It may be so―but I have been their martyr. My whole life has been sacrificed to them and by them." Those whom he spell bound often returned the favor in their own writings tried to remake his public image to reflect their own.

Through writings both well known and generally unknown, James Soderholm examines the poet's relationship with five Elizabeth Pigot, Caroline Lamb, Annabella Milbanke, Teresa Guiccioli, and Marguerite Blessington. These women participated in Byron's life and literary career and the manipulation of images that is the Byron legend.

Soderholm argues against the sentimental depictions of biographers who would preserve Byron's romantic aura by diminishing the contributions of these women to his social, sexual, and literary identity. By restoring the contexts in which literary works charm or bedevil particular readers, the author shows the consequences of Byron's poetic seductions during and after his life.

224 pages, Hardcover

First published November 9, 1995

Reviews

[Hope · Rating 2 out of 5]

Read this for a class on forgery. Mostly, the author was trying to convince the reader that forgery of spirit is just as bad as actual physical forgery. Just not as interesting.