When she meets Viscount Simon Mordenhyrst, Grace Sutcliffe finds herself smitten. When he proposes marriage, she is surprised and pleased. Her own family has earned their money and place through hard work not because they are landed nobility as the Mordenhyrst family is. Instead of having a village to control and a vast number of servants who all know their place, the Sutcliffes have a large home and grounds in Yorkshire. If she goes through with the marriage, Grace will be leaving her station, something her father Acton Sutcliffe frowns upon. But she is young and in love and eager to be swept away by romance. It is 1928, after all, a time for women to throw aside the expectations and stuff traditions …
However, when Grace arrives in Mordenhyrst Hall, she discovers herself well and truly a fish out of water. The servants have their roles and dislike being asked to perform tasks assigned to others. She is assigned an Aide, Nell, to help with her dressing, bedtime turndowns, and whatnot … And she’s been assigned a room that no one would want: The Lemon Room is aptly named, and pretty, and quite possibly haunted by Simon’s mother. Who thought it would be a good idea for the nouveau-riche girl to sleep there? Why Simon’s own sister, Lady Cecilia Mordenhyrst. If Simon is a dear away from the house, he becomes someone quite different when he is in proximity to his catty, chilly, and meanspirited sibling. Cecilia dislikes Grace on sight and seems eager to do everything in her power to force her away from Simon. Her passion for doing so is more than a sister concerned for her brother or even a noble concerned about those of lower standing staying in their place. What could her agenda be? Surely not something … unwholesome.
While staying in the strange hall, Grace finds herself caught up in mystery. Ghostly presences, a lusty patriarch, strange encounters with unusual birds, a history of turmoil, nightmares, drastic behavior changes, Cecilia and Simon’s even cattier friends, a resentful village whose populace all bear similar features to the aforementioned patriarch …
Grace is not completely isolated, however. She makes a few friends, including Sykes, landlord of the village pub, and Coralie, an American medium from New Orleans. Both of these allies will be necessary if Grace is to get to the bottom of the mysteries surrounding Mordenhyrst Hall and the ones who call it home. She will need answers because her life is at stake, and more than that, the lives of her friends and family.
Catherine Cavendish delivers another fine blend of gothic and creature horrors with the evocatively titled Those Who Dwell in Mordenhyrst Hall. The author’s craft is as solid as we’ve come to expect. The prose engages, the plotting is swift, and there is atmosphere aplenty. One of the nicer touches this time around is the 1920s period, which is evoked well through a nice blend of character elements and period details/description. Cavendish’s fiction is often fascinated with history, and this latest volume is no different However, it is history with a cinematic edge, a sort of Hammer Horror Film for the mind’s eye with terrific, creepy locations and an engaging mystery that shifts gears into a morality play of good versus evil.
Cavendish’s text bakes the period into its storytelling marrow. Sure, we get the occasional quip about the era (this is 1928, not 1828, Dad!). However, this is a time when the world is trying to recover from the damages of World War I, when so many young men needlessly lost their lives in the trenches on the Continent. Grace lost her own brother, and the specter of his lost life haunts the opening half and pretty well drives her to oppose the evils she finds. It’s a clever use of history to appeal to character.
Regular readers of Cavendish’s fiction will find some sly nods to elements from previous books. The author’s fiction might not be taking place in the same shared universe, but they certainly have commonalities between them, both from a thematic as well as a literal sense. There are creepy foliage as we may recall from The Garden of Bewitchment and a perfectly lovely visage hiding a monstrous heritage as we found in Dark Observation. Ghosts and ancient evils that comingle with humanity stand alongside psychic danger and paranormal powers.
While some of the author’s previous books have amped up the doom and gloom, building to an atmosphere of despair, we seldom lose all hope for our plucky heroine here. Grace is initially overwhelmed, but with a little help she might actually succeed against these dangers. This dose of optimism and hope may not play well with all readers, but it’s a welcome switch from the oppressive darkness of stories like “The Oubliette of Elie Loyd,” novels like Dark Observation, or novel cycles like Nemesis of the Gods.
Those Who Dwell at Mordenhyrst Hall is an entertaining shocker. Though the ending may not appeal to fans of horror that veers into the darkest abyss possible and never quite comes out, it’s got enough punch to satisfy readers looking for a little sunshine along with their gloom-shrouded narratives. This is yet another enjoyable read from the Queen of Gothic Horror.
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A special thank you to Flame Tree Press and NetGalley for supplying an eARC in exchange for an honest review.