A seemingly straight forward police procedural opening, perhaps even a little slow, with the introduction of Detective Andy Hicks. He and his partner Detective Laura Fellowes are called out to a murder of a young woman. Hicks sees murder as a straight-forward process. Each murder has its own hallmarks, which can be placed in certain areas or 'rooms'. He immediately suspects a crime of passion, and concentrates on the woman's ex husband. Then, another body is found. And another. Suddenly, Hicks is faced with a killer he cannot pigeon-hole...one who kills randomly and seemingly without reason. Hicks is forced to face up to his inability to provide logic to murder, and the prospect of something he doesn't believe exists...evil.
The first thing I look forward to when reading Mosby's books, is the setting of the story. One aspect of his novels which changes with each book. Dark Room introduces a near-future bleak environment, which pulls in influences from Northern England and Eastern European cities. From my reading anyhow. That's one thing about Mosby's novels, everyone will view it differently. The backdrop is just a part of the overall story, not really important, but also complimenting the story perfectly.
The characters instantly jump off the page. Minor characters steal the show with one chapter. Early on, there is a beautifully written scene where an old man makes a candle. A candle making scene in a thriller. It shouldn't work, but it just does. It absorbs you into the story. Hicks' partner in the police, Fellowes, is an excellent supporting role, never over-bearing, complimenting the main character well.
And so we come to that main character. Hicks. A gloriously drawn character. His partner Rachel is pregnant with their first child. Hicks is not dealing with it at all well, and there's a growing distance between them. There are reasons behind it, yet the reader isn't let into those reasons for much of the book. And then when that is revealed...wow.
The serial killer aspect...I've read tons of them. It takes a lot to shock me now. There is a reveal in this book with a video, which is the most difficult and powerful thing I've ever read in this genre. It's incredible. The puzzles the killer leaves are highly original. In fact the whole concept is unlike anything I've ever read. As the bodies pile up, it never becomes exploitative. It's all about the game being played out between Detective Hicks and a killer unlike he's ever faced before. When the letters begin to arrive, Hicks' reactions mirror the readers. There's a loss of power to be regained, which as a reader you cannot help but become a part of that journey.
There's more a police procedural element to Dark Room, than the more conventional psychological thrillers Mosby has delivered more recently. However, he has done this before with The 50/50 Killer. Dark Room is the older and wiser sibling to this previous work. More confident, more aware of itself.
There are so many parts to this novel, it's difficult to go into the myriad of different aspects of it. The patterns which run throughout, which connects characters and can be seen as metaphors for life and death. It's also difficult to convey the feeling you get as you read. It's intense. It's absorbing. It's horrific. Violent imagery, mixed with the beauty of people and the world. It's heartbreaking in some places, heart-warming in others. Overall, it's a powerful novel, one of the best books I've ever had the pleasure and displeasure to read. It is a massive step up for Mosby, and one which should garner a whole raft of new readers. It's darker than anything he's previously written, but on a far more emotional level than a visceral. He plays with the reader's expectations, giving us a very different idea about how crime fiction usually pans out.
I'm doubtful if there will be a better British crime novel released this year. Extremely doubtful. This is a must read for anyone wanting an excellent example of the talent we have lurking on the outside of the bestsellers. I don't think it will be much longer until Mosby joins them.