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The Starved God
Earth. The distant future. An immense planetary ring dominates the sky, drowning the humbler stars in its borrowed light. Moulded by aeons, humans have evolved into diverse new forms. The people are born, they toil and they die, their lives at the mercy of theocratic edict and a flawed, implacable god.
Canna Dawn’s mundane existence is upended when a transgression forces him to join an audacious sea voyage, led by a charismatic and unstable captain. As the crew approaches the mysterious continent of Eyra, they face deadly wildlife, treacherous seas, and an enemy within their ranks. Canna’s profound insights into the living world set him on a collision course with everything he holds sacred, while a patient, merciless enemy awaits his return.
The Starved God is an enthralling tale of adventure, mystery, and philosophical exploration. “The story kept me engaged from start to finish...well crafted and intriguing...highly recommended.” – Jon F. Zeigler, Sharrukin’s Palace.
"It has been an absolute joy to delve into its intricate world-building, complex and nuanced characters, and the philosophical battles between reason and faith." - Verified Amazon review.
Canna Dawn’s mundane existence is upended when a transgression forces him to join an audacious sea voyage, led by a charismatic and unstable captain. As the crew approaches the mysterious continent of Eyra, they face deadly wildlife, treacherous seas, and an enemy within their ranks. Canna’s profound insights into the living world set him on a collision course with everything he holds sacred, while a patient, merciless enemy awaits his return.
The Starved God is an enthralling tale of adventure, mystery, and philosophical exploration. “The story kept me engaged from start to finish...well crafted and intriguing...highly recommended.” – Jon F. Zeigler, Sharrukin’s Palace.
"It has been an absolute joy to delve into its intricate world-building, complex and nuanced characters, and the philosophical battles between reason and faith." - Verified Amazon review.
- GenresScience Fiction
265 pages, Hardcover
First published March 7, 2023
26 people are currently reading
89 people want to read
About the author
Thomas Norford
3 books20 followersThomas Norford is a purveyor of the finest organic science-fiction made from only the freshest, locally sourced ingredients. He has three books to get your reading gear around: The Starved God, a far future philosophical adventure with plenty of gore; Anomic Bombs, a collection of far-out tales about creatures which don't fit in; and his second novel, This Burdened Clay, a sci-fi horror tale set in contemporary Britain. Look out for Thomas's new novel, The Hogman's Homunculi and the Angelwing Massacre, coming early 2026. Readers of Anomic Bombs may be pleased to know that this is set in the same universe as The Sacred Furcula of Yukiang the Bird-Whale. Thomas survives in Northamptonshire with various humans and other animals.
You can sign up to Thomas's newsletter if you like - search The Warp or the author's name on Substack.
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Displaying 1 - 26 of 26 reviews
May 26, 2023
Our protagonist, Canna Dawn, is an amateur naturalist, living in the community of Riverbend. What we see of Canna and his people is both familiar and strange. They seem to be human, but it soon becomes clear that there are some odd elements to their biology and way of life. It also turns out that there are several different human species, all of them significantly different from each other, and none of them exactly like us. Riverbend and the kingdom around it seem to be at an early Nineteenth Century level of development, but they are oddly advanced in some ways and lagging in others. The world itself seems very Earthlike, but its geography is strange . . . and the planet is encircled by a prominent set of rings.
Soon, Canna is recruited for an expedition led by the sea-captain Skuld Heel. Captain Skuld has been commissioned to cross the ocean and explore lands at the very edge of human knowledge. He needs a naturalist to help him catalogue the plants and animals they find . . . and to evaluate the distant lands for colonization and exploitation. Canna isn’t eager to leave Riverbend, but he is soon forced to go. The things he learns along the way will have profound implications for him and his people.
The prose style here is quite clean, with very few copy-editing errors. Viewpoint discipline is decent; some passages are told from the perspective of different characters, but the result is clear and easy to follow. The reader will be pulled along by the desire to solve the mysteries posed by the narrative – is this story set on Earth? If it is, how did things get so strange? How will Canna and the other characters cope with the discoveries they make? The story kept me engaged from start to finish.
The world-building here is solid, the strangeness of the setting well-motivated and well-described. Some of its features were a trifle too derivative for my taste. For example, it won’t take too long for the reader to realize the exact Earthly-historical analogue for Canna’s adventure. (It doesn’t help that even Canna’s initials point directly to his real-world inspiration.) The world is grounded in ideas from evolutionary biology and cognitive science, but there aren’t a lot of surprises here.
Meanwhile, late in the story Mr. Norford succumbs to one of the terrible temptations that present themselves to any author engaged in rich world-building. For most of the narrative, he does a fine job of sticking to Canna’s viewpoint, allowing us to watch our hero unravel the world’s mysteries through observation and deduction. Then, close to the climax, the story abruptly drops out of “showing” mode and into a big chunk of exposition in “telling” mode. All the answers are dropped into our lap by a genuine deus ex machina. The overall sense is that of a high-concept, big-ideas, deep-world-building story that doesn’t quite stick the landing.
Still, this is a very well-crafted and intriguing story with lots of lovely scenery and clear sequel hooks. I enjoyed it, and I’m very interested to see what Mr. Norford works on next. Highly recommended.
Soon, Canna is recruited for an expedition led by the sea-captain Skuld Heel. Captain Skuld has been commissioned to cross the ocean and explore lands at the very edge of human knowledge. He needs a naturalist to help him catalogue the plants and animals they find . . . and to evaluate the distant lands for colonization and exploitation. Canna isn’t eager to leave Riverbend, but he is soon forced to go. The things he learns along the way will have profound implications for him and his people.
The prose style here is quite clean, with very few copy-editing errors. Viewpoint discipline is decent; some passages are told from the perspective of different characters, but the result is clear and easy to follow. The reader will be pulled along by the desire to solve the mysteries posed by the narrative – is this story set on Earth? If it is, how did things get so strange? How will Canna and the other characters cope with the discoveries they make? The story kept me engaged from start to finish.
The world-building here is solid, the strangeness of the setting well-motivated and well-described. Some of its features were a trifle too derivative for my taste. For example, it won’t take too long for the reader to realize the exact Earthly-historical analogue for Canna’s adventure. (It doesn’t help that even Canna’s initials point directly to his real-world inspiration.) The world is grounded in ideas from evolutionary biology and cognitive science, but there aren’t a lot of surprises here.
Meanwhile, late in the story Mr. Norford succumbs to one of the terrible temptations that present themselves to any author engaged in rich world-building. For most of the narrative, he does a fine job of sticking to Canna’s viewpoint, allowing us to watch our hero unravel the world’s mysteries through observation and deduction. Then, close to the climax, the story abruptly drops out of “showing” mode and into a big chunk of exposition in “telling” mode. All the answers are dropped into our lap by a genuine deus ex machina. The overall sense is that of a high-concept, big-ideas, deep-world-building story that doesn’t quite stick the landing.
Still, this is a very well-crafted and intriguing story with lots of lovely scenery and clear sequel hooks. I enjoyed it, and I’m very interested to see what Mr. Norford works on next. Highly recommended.
July 6, 2023
A heavy read that is unique and completely immersive.
Prepare yourselves.
Prepare yourselves.
February 14, 2025
Norford combines scientific discovery with adventure and horror, creating a tense and exciting tale of uncovering both new lands and the dangers hidden among the old.
Canna Dawn finds more than enough excitement studying the local wildlife. However, when an act of compassion falls foul of strict religious prohibition, his only option to avoid ritual execution is joining a sea voyage in search of new lands and trading opportunities. Between treacherous seas, unknown flora and fauna, and growing problems among the crew, every day offers more challenges: both to his survival and to the orthodox story of how the world was created.
While Canna’s civilisation—and those it is aware of—are all pre-industrial, and Canna’s people display some pervasive physical traits that real-world humans don’t, this novel is—as Norford’s own description highlights—set on Earth in a distant future rather than in a secondary world. Thus, the reader is aware that something has caused human technology and civilisations as we know them to disappear, and that the religious story of how the world came to be is not a truth handed down to humanity at the start of time; however, Norford skilfully balances the consistent inconsistency of longstanding beliefs with not actively contradicting the true reason things are as they are, creating a world where the reader does not know how much of the creation myth is distorted recollection or even whether Canna’s people—or one of the other apparent species—are evolved humans.
A central thread of the book is Canna’s redevelopment of the theory of evolution by natural selection. Although a naturalist on a sea voyage has the strongest echo of Darwin’s voyage, Norford avoids the twin traps of either using identical triggers and terminology or deliberately inventing entirely new triggers and terminology purely for the sake of it. Combined with Norford’s various invented societies, this pervades the novel with the opposition and symbiosis of morality and science.
However, this is by no means a dense work of philosophy veneered with story; unlike the—relatively—civilised voyage of the Beagle, Canna’s world is much more hostile, both environmentally and socially. Thus, the novel is also a well-paced action adventure about exploration of undiscovered islands, and a horror thriller about conspiracies and lurking serial killers.
Norford is careful but not miserly with his revelations of what has happened to Earth and the life on it. Readers who enjoy riddling things out are therefore likely to have the opportunity to race the protagonists for the truth, while those who dislike too much obscurity are unlikely to feel Norford withholds the answer purely to extend the novel.
The final answer is neither a rigorously supported treatise on biology nor a mere veneer of scientific buzzwords over a fantastical world; as with all speculations on how things evolve over vast spans of time, exactly how plausible it feels will vary by reader but Norford definitely provides enough coherence that most readers will accept it is realistic as science-fiction.
Canna is an engaging protagonist, especially in not being the smartest person in the room in many situations and his awareness that others are sometimes more competent than him even in areas that are his specialisms. While his instincts reject religious orthodoxy, he is not filled with a fanatical hatred of all religion; in addition to being more realistic for a member of an isolated highly religious society than hyper-secularism, this makes him seem pleasingly curious rather than annoyingly strident.
The supporting cast display a similar strong flavour of their society and their place in it combined with conflicting personal drives and beliefs that both make them interesting and plausible as individuals and further avoid the novel feeling like a veiled polemic about religious foolishness and the clear truth of evolution.
Overall, I enjoyed this novel. I recommend it to readers seeking a fantasy adventure in a world of science rather than magic.
Canna Dawn finds more than enough excitement studying the local wildlife. However, when an act of compassion falls foul of strict religious prohibition, his only option to avoid ritual execution is joining a sea voyage in search of new lands and trading opportunities. Between treacherous seas, unknown flora and fauna, and growing problems among the crew, every day offers more challenges: both to his survival and to the orthodox story of how the world was created.
While Canna’s civilisation—and those it is aware of—are all pre-industrial, and Canna’s people display some pervasive physical traits that real-world humans don’t, this novel is—as Norford’s own description highlights—set on Earth in a distant future rather than in a secondary world. Thus, the reader is aware that something has caused human technology and civilisations as we know them to disappear, and that the religious story of how the world came to be is not a truth handed down to humanity at the start of time; however, Norford skilfully balances the consistent inconsistency of longstanding beliefs with not actively contradicting the true reason things are as they are, creating a world where the reader does not know how much of the creation myth is distorted recollection or even whether Canna’s people—or one of the other apparent species—are evolved humans.
A central thread of the book is Canna’s redevelopment of the theory of evolution by natural selection. Although a naturalist on a sea voyage has the strongest echo of Darwin’s voyage, Norford avoids the twin traps of either using identical triggers and terminology or deliberately inventing entirely new triggers and terminology purely for the sake of it. Combined with Norford’s various invented societies, this pervades the novel with the opposition and symbiosis of morality and science.
However, this is by no means a dense work of philosophy veneered with story; unlike the—relatively—civilised voyage of the Beagle, Canna’s world is much more hostile, both environmentally and socially. Thus, the novel is also a well-paced action adventure about exploration of undiscovered islands, and a horror thriller about conspiracies and lurking serial killers.
Norford is careful but not miserly with his revelations of what has happened to Earth and the life on it. Readers who enjoy riddling things out are therefore likely to have the opportunity to race the protagonists for the truth, while those who dislike too much obscurity are unlikely to feel Norford withholds the answer purely to extend the novel.
The final answer is neither a rigorously supported treatise on biology nor a mere veneer of scientific buzzwords over a fantastical world; as with all speculations on how things evolve over vast spans of time, exactly how plausible it feels will vary by reader but Norford definitely provides enough coherence that most readers will accept it is realistic as science-fiction.
Canna is an engaging protagonist, especially in not being the smartest person in the room in many situations and his awareness that others are sometimes more competent than him even in areas that are his specialisms. While his instincts reject religious orthodoxy, he is not filled with a fanatical hatred of all religion; in addition to being more realistic for a member of an isolated highly religious society than hyper-secularism, this makes him seem pleasingly curious rather than annoyingly strident.
The supporting cast display a similar strong flavour of their society and their place in it combined with conflicting personal drives and beliefs that both make them interesting and plausible as individuals and further avoid the novel feeling like a veiled polemic about religious foolishness and the clear truth of evolution.
Overall, I enjoyed this novel. I recommend it to readers seeking a fantasy adventure in a world of science rather than magic.
December 31, 2023
The Starved God is a charming novel, not that you’d hear the author describe it as such. A rich, well thought out and detailed sci-fi world. Tom’s prose seems simple, even with the complex and wild descriptions and names within the book, but I found it easy enough a read to understand. The Starved God also tacks in at about 215 actual pages of text, a little short for what seems like a world with a lot of potential. With how the novel finished, no I won’t be posting spoilers, I hope that there is a sequel to the Starved God.
I also thought the back of the book was rather helpful. The author realizes he’s in a new world, and the lore and detail in the back of the book helped me in understanding what went on in the world a little bit more. An inclusion some other authors would definitely benefit from having in their work too.
It’s just too bad that Tom doesn’t have anymore novels out there at the moment. I’m sure they’d make for reads just as good, if not better. Thanks Tom, your page is also hilarious. Please continue to write.
I also thought the back of the book was rather helpful. The author realizes he’s in a new world, and the lore and detail in the back of the book helped me in understanding what went on in the world a little bit more. An inclusion some other authors would definitely benefit from having in their work too.
It’s just too bad that Tom doesn’t have anymore novels out there at the moment. I’m sure they’d make for reads just as good, if not better. Thanks Tom, your page is also hilarious. Please continue to write.
July 7, 2025
Truthfully, I struggled to embrace this book initially, and somewhere about halfway, I took a break from it. For whatever reason, my feelings about it were quite different when I finally picked it up again.
Thanks goes to the author for the glossary and brief discussions of religion, government, etc. of the world. Initially, I was frustrated to need it, but honestly, it wasn't long before I internalized the commonly used terms. The book is incredibly immersive and sometimes a bit dense. It's full of curiosity, wonder, awe, and, of course, the simultaneous fear, reticence, and so on that goes along with exploring the unknown.
It's at times grim and gory, but at others exciting and inspiring. I wound up really enjoying it.
I recommend avoiding spoilers if you can, as I found the ending quite satisfying.
Thanks goes to the author for the glossary and brief discussions of religion, government, etc. of the world. Initially, I was frustrated to need it, but honestly, it wasn't long before I internalized the commonly used terms. The book is incredibly immersive and sometimes a bit dense. It's full of curiosity, wonder, awe, and, of course, the simultaneous fear, reticence, and so on that goes along with exploring the unknown.
It's at times grim and gory, but at others exciting and inspiring. I wound up really enjoying it.
I recommend avoiding spoilers if you can, as I found the ending quite satisfying.
July 11, 2023
The animal within !
I don’t know if I would have gotten this one under Science Fiction, more like a horror or Sci Fi Horror genre.
Thomas Norford the author have a really nice way of writing and pulling you into the story.
Part story part philosophy about the nature of humanity, and the network which we all are born with the need to belong into it.
The twist at the ending is absolutely unexpected and amazing.
Very beautiful narration by Richard Auty of each of the characters in this book !
Recommended !!!
Oded Ostfeld.
I don’t know if I would have gotten this one under Science Fiction, more like a horror or Sci Fi Horror genre.
Thomas Norford the author have a really nice way of writing and pulling you into the story.
Part story part philosophy about the nature of humanity, and the network which we all are born with the need to belong into it.
The twist at the ending is absolutely unexpected and amazing.
Very beautiful narration by Richard Auty of each of the characters in this book !
Recommended !!!
Oded Ostfeld.
January 26, 2026
This book turned out to be such a fun surprise based on a random Reddit recommendation of self published authors. I didn’t read much about the book coming in but it had great writing, relatable characters, reflections of humanity, religion and life’s meaning, a unique world, unexpected horror elements, and unexplained mysteries. All packed into 300 pages.
On occasions the book flashed small signs of being self published with some editing mistakes, but overall pretty polished. Highly recommend.
On occasions the book flashed small signs of being self published with some editing mistakes, but overall pretty polished. Highly recommend.
February 20, 2026
5/5 STARS! Science fiction is a new genre to me & this book is a must read for new fans! It’s an adventure filled with interesting characters and quite the plot. Not too hard to understand & a great listen on audiobook. Very immersive and unique.
March 26, 2025
If you like fantasy or sci-fi, this book is an excellent read. The story has a good pace and has a unique feel. There's some really cool world building throughout the book and it creates a mystery that you want to chase down with the protagonist. There's a lot of interesting supporting characters that create a sense of familiarity or belonging that makes you feel like you're along for the ride. Combine this with having a just enough twists to keep you guessing and it made for a kickass book.
January 23, 2024
Even though they say, "Don't judge a book by its cover," in the case of The Starved God, I wish a skilled designer had been hired to create something more visually appealing and relevant. The initial impression I got from the cover led me to believe it was a tome on biology or anatomy rather than a fantasy story.
My second concern revolves around the difficulty of remembering the names of the characters. While I understand the setting is in a post-apocalyptic civilization with unique names, it significantly slowed down my reading experience.
Despite the challenges, the story, though not overly lengthy, felt like an extended read due to its philosophical dialogues and explanations. The inclusion of horror elements was a highlight, and I found the protagonist, Canna Dawn, to be a compelling reason to continue reading. The ending did not disappoint, and I encourage readers to give it a try and persevere until the end.
My second concern revolves around the difficulty of remembering the names of the characters. While I understand the setting is in a post-apocalyptic civilization with unique names, it significantly slowed down my reading experience.
Despite the challenges, the story, though not overly lengthy, felt like an extended read due to its philosophical dialogues and explanations. The inclusion of horror elements was a highlight, and I found the protagonist, Canna Dawn, to be a compelling reason to continue reading. The ending did not disappoint, and I encourage readers to give it a try and persevere until the end.
January 23, 2024
An interesting twist on the sci-fi genre, and my first real sci-fi/horror book. I enjoyed the depth of the world building and creative character concepts, and even wished some of the book was longer to flesh out more aspects of the world and lore. Also lots of very cool parallels between Charles Darwin and Moby Dick. While it raises some interesting questions like why follow a religion and what differentiates a virtuous moral code from one of malice, I felt it didn't explore some of these ideas as far as it could have. Often I found Canna simply proposing these questions, briefly pondering them, and then continuing with his journey. Of course, he becomes more disillusioned with the core principles of his religion as the novel progresses, but I felt the book fell a little flat with some of these questions. Overall and enjoyable read and will keep an eye out for future works from this author.
July 4, 2023
Brilliantly written and totally immersive
Norfords debut novel had me hooked from start to finish. A complex world of diverse characters and strange places is brought expertly to life. I really enjoyed this book and strongly recommend that you give it a read
Norfords debut novel had me hooked from start to finish. A complex world of diverse characters and strange places is brought expertly to life. I really enjoyed this book and strongly recommend that you give it a read
January 9, 2024
"The Starved God" by Thomas Norford is a novel with a unique blend of fantasy and speculative elements, set in a world that echoes the Age of Discovery with fantastical twists. The story follows Canna Dawn, a young naturalist from Riverbend, who is reluctantly swept into an epic journey of discovery alongside the daring Captain Skuld Heel. As they voyage down the winding coast of Eyra, they encounter a world eerily similar to Earth yet distinctly alien, filled with mysterious celestial phenomena like an overhead navigation ring and moons sweeping across dark bands.
Initially, readers may find themselves adrift in a sea of unfamiliar terms and concepts, as Norford ambitiously constructs his world without immediate explanations. However, perseverance reveals a richly woven narrative, rewarding the reader with a story that intertwines the thrill of exploration with profound humanistic inquiries.
At the heart of the novel is Canna, whose transformation from a fledgling naturalist to a seasoned explorer is documented through her diary entries. These passages, making up a significant portion of the text, provide intimate insights into her thoughts and the bizarre wonders they encounter. This clever narrative device deepens the connection between the reader and Canna, allowing for a personal touch amidst the broader, third-person narrative.
Norford's portrayal of the inhabitants of this strange world is particularly noteworthy. They are human, yet not; familiar in form but diverse and distinct in ways that challenge Canna's understanding of nature and humanity. The encounters with these beings, especially with characters like Slatra, raise existential questions and reflect the diverse spectrum of humanity.
The prose of "The Starved God" is another of its strengths, elegant and flowing, with a richness that demands careful reading. The author's meticulous world-building and consistent linguistic choices create a distinctive atmosphere that blends the exotic with the familiar, setting it apart from mainstream fantasy.
The novel doesn't shy away from exploring heavier themes, delving into the nature of humanity, existence, and the personal quest for understanding in a world full of wonders and horrors. It's a blend of adventure and introspection, capturing the thrill of discovery both externally in the wild world and internally within the depths of the protagonist's evolving perspective.
Norford's work is a commendable fusion of fantasy and speculative fiction, offering readers a journey that is as thought-provoking as it is entertaining. While it may start as a challenging read due to its intricate world-building and unfamiliar lexicon, those who venture into its pages will find a rewarding experience filled with wonder, reflection, and a touch of the otherworldly. "The Starved God" is a recommended read for those who seek depth and originality in their fantasy literature.
Initially, readers may find themselves adrift in a sea of unfamiliar terms and concepts, as Norford ambitiously constructs his world without immediate explanations. However, perseverance reveals a richly woven narrative, rewarding the reader with a story that intertwines the thrill of exploration with profound humanistic inquiries.
At the heart of the novel is Canna, whose transformation from a fledgling naturalist to a seasoned explorer is documented through her diary entries. These passages, making up a significant portion of the text, provide intimate insights into her thoughts and the bizarre wonders they encounter. This clever narrative device deepens the connection between the reader and Canna, allowing for a personal touch amidst the broader, third-person narrative.
Norford's portrayal of the inhabitants of this strange world is particularly noteworthy. They are human, yet not; familiar in form but diverse and distinct in ways that challenge Canna's understanding of nature and humanity. The encounters with these beings, especially with characters like Slatra, raise existential questions and reflect the diverse spectrum of humanity.
The prose of "The Starved God" is another of its strengths, elegant and flowing, with a richness that demands careful reading. The author's meticulous world-building and consistent linguistic choices create a distinctive atmosphere that blends the exotic with the familiar, setting it apart from mainstream fantasy.
The novel doesn't shy away from exploring heavier themes, delving into the nature of humanity, existence, and the personal quest for understanding in a world full of wonders and horrors. It's a blend of adventure and introspection, capturing the thrill of discovery both externally in the wild world and internally within the depths of the protagonist's evolving perspective.
Norford's work is a commendable fusion of fantasy and speculative fiction, offering readers a journey that is as thought-provoking as it is entertaining. While it may start as a challenging read due to its intricate world-building and unfamiliar lexicon, those who venture into its pages will find a rewarding experience filled with wonder, reflection, and a touch of the otherworldly. "The Starved God" is a recommended read for those who seek depth and originality in their fantasy literature.
June 23, 2023
A troubled naturalist is forced to undertake an exploratory sea voyage into dangerous regions in this highly imaginative sci-fi adventure with horror elements. Inquisitive Canna Dawn finally gets his chance to unravel the mysteries of the natural world, but it’s a choice made under duress, and he finds himself on board an imposing ship, captained by an unpredictable brute, with a crew of miscreants he’d never have chosen to sail with in a million years.
Their expedition is to the uncharted continent of Eyra, for reasons not altogether clear. And while Canna discovers fascinating creatures along the way that point to profound evolutionary links between species, he also encounters the horrors of that evolution run amok. Perils at every turn, not to mention treachery from within, threaten the lives of all aboard. What secrets will the crew uncover as they head ever deeper into the heart of darkness?
This is a brilliant piece of writing from Thomas Norford. He packs his futuristic world with all manner of cultures, creatures, philosophies, and science that for some reason is having to be re-learned after a mysterious dark age governed by religious tyranny. Canna has echoes of Stephen Maturin in the Master and Commander books, a cultured man of inquiry completely at odds with the barbaric practices of naval life. I loved reading his diary entries describing the islands and the weird and wonderful creatures he encountered there. That was my favorite aspect of The Starved God—the pure adventure of discovery.
It's also a very dark book at times. Earth’s life-forms have evolved in some surprising ways, many of them nightmarish. It veers into outright horror numerous times, and the body count is high. Crewmen swear at each other in contemporary regional English that makes me laugh, until it gets to be a bit, well, overdone. Much like the dense world-building, which is hugely creative, finely detailed and ingenious, until it starts to overwhelm. And the characters: colorful and entertaining, but there are too many thrown together all at once. They’re not given chance to breathe as individuals, with the result that I lost track of who was who among the crew and back at home.
I like the central premise of the story. I think a futuristic Darwin-type odyssey is a great idea, and the author doesn’t disappoint on that score. I lost count of the thrilling descriptions and literary flourishes. The final revelations, too, work well. While the writing is first-rate, the narrative is cluttered at times, especially in the first act. If readers can find their footing quickly, they’ll likely find a lot to enjoy in this tale. I think Norford is one to watch. He swung for the fences with this book in terms of world-building, and it’s one of the most unique genre books I’ve read this year.
Their expedition is to the uncharted continent of Eyra, for reasons not altogether clear. And while Canna discovers fascinating creatures along the way that point to profound evolutionary links between species, he also encounters the horrors of that evolution run amok. Perils at every turn, not to mention treachery from within, threaten the lives of all aboard. What secrets will the crew uncover as they head ever deeper into the heart of darkness?
This is a brilliant piece of writing from Thomas Norford. He packs his futuristic world with all manner of cultures, creatures, philosophies, and science that for some reason is having to be re-learned after a mysterious dark age governed by religious tyranny. Canna has echoes of Stephen Maturin in the Master and Commander books, a cultured man of inquiry completely at odds with the barbaric practices of naval life. I loved reading his diary entries describing the islands and the weird and wonderful creatures he encountered there. That was my favorite aspect of The Starved God—the pure adventure of discovery.
It's also a very dark book at times. Earth’s life-forms have evolved in some surprising ways, many of them nightmarish. It veers into outright horror numerous times, and the body count is high. Crewmen swear at each other in contemporary regional English that makes me laugh, until it gets to be a bit, well, overdone. Much like the dense world-building, which is hugely creative, finely detailed and ingenious, until it starts to overwhelm. And the characters: colorful and entertaining, but there are too many thrown together all at once. They’re not given chance to breathe as individuals, with the result that I lost track of who was who among the crew and back at home.
I like the central premise of the story. I think a futuristic Darwin-type odyssey is a great idea, and the author doesn’t disappoint on that score. I lost count of the thrilling descriptions and literary flourishes. The final revelations, too, work well. While the writing is first-rate, the narrative is cluttered at times, especially in the first act. If readers can find their footing quickly, they’ll likely find a lot to enjoy in this tale. I think Norford is one to watch. He swung for the fences with this book in terms of world-building, and it’s one of the most unique genre books I’ve read this year.
June 7, 2023
An amazing world. Bravo.
Thomas Norford’s hero in this spectacularly constructed fantasy is Canna Dawn, a fledgling naturalist from Riverbend. Canna joins Captain Skuld Heel to embark on an exploratory journey south down the winding coast of Eyra. Norford’s world is eerily Earth-like, but Earth (as people refer to the world) it most definitely is not. This is ably demonstrated by the overhead ring (used by the sailors as a navigation aid) and the moons that sweep along its dark bands. Somewhere in the night sky is the Red Wanderer, which is “another world like our own.” This gives the reader a clue that this is not your typical fantasy, and the story is much richer for it; indeed, this is almost sci-fi using pre-industrial technology. Of course, Skuld needs Canna because, like every great explorer, he has to have a naturist document the varied species of plants and animals they encounter.
Here Norford is masterfully describes the people Skuld and his crew encounter. Yes, they are all human, but they are not quite the same as us, and, like our extraordinary variety of race and creed, this Earth’s inhabitants have their own astonishing variety. When Canna meets Slatra, the naturist asks who he is, and Slatra replies, “A wretched beast of the Earth, as are we all. I look human but I’m something else. Will I be in your diary, Canna?”
This diary is critical to Norford’s tale, providing a way for Canna to speak directly to the reader. Approximately a quarter of the book is delivered in a charming first-person journal format, giving insight into the character’s journey without clumsy writing gimmicks. This balance feels right, and it helps to delve into some of the conundrums for both the characters and the reader.
Yet the exploration is not simply concerned with a fantastical world and all the people and creatures that inhabit it; this is also an exploration of what it is to be human (irrespective of how wretched we may be), and it is delivered in elegant, flowing prose. Norford has constructed an amazing world but has done so with care and finesse. Bravo.
Thomas Norford’s hero in this spectacularly constructed fantasy is Canna Dawn, a fledgling naturalist from Riverbend. Canna joins Captain Skuld Heel to embark on an exploratory journey south down the winding coast of Eyra. Norford’s world is eerily Earth-like, but Earth (as people refer to the world) it most definitely is not. This is ably demonstrated by the overhead ring (used by the sailors as a navigation aid) and the moons that sweep along its dark bands. Somewhere in the night sky is the Red Wanderer, which is “another world like our own.” This gives the reader a clue that this is not your typical fantasy, and the story is much richer for it; indeed, this is almost sci-fi using pre-industrial technology. Of course, Skuld needs Canna because, like every great explorer, he has to have a naturist document the varied species of plants and animals they encounter.
Here Norford is masterfully describes the people Skuld and his crew encounter. Yes, they are all human, but they are not quite the same as us, and, like our extraordinary variety of race and creed, this Earth’s inhabitants have their own astonishing variety. When Canna meets Slatra, the naturist asks who he is, and Slatra replies, “A wretched beast of the Earth, as are we all. I look human but I’m something else. Will I be in your diary, Canna?”
This diary is critical to Norford’s tale, providing a way for Canna to speak directly to the reader. Approximately a quarter of the book is delivered in a charming first-person journal format, giving insight into the character’s journey without clumsy writing gimmicks. This balance feels right, and it helps to delve into some of the conundrums for both the characters and the reader.
Yet the exploration is not simply concerned with a fantastical world and all the people and creatures that inhabit it; this is also an exploration of what it is to be human (irrespective of how wretched we may be), and it is delivered in elegant, flowing prose. Norford has constructed an amazing world but has done so with care and finesse. Bravo.
February 7, 2024
I am not afraid to say that this book challenged me, but in a good way. It’s great to step outside of your reading comfort zones!
The cover, title, and synopsis of this book certainly piqued curiosity in me. Admittedly, it took me a little while to really settle into the story, but in saying that I knew I had to persevere as I love the way it was written. Unique, creative, and very different from anything I have read as of late! I also had a feeling it would turn into quite an epic tale and I was not wrong.
There were moments where it could be raw, gory, and gut wrenching- chapter 24 was particularly stomach churning. My jaw was wide open and my heart was racing while reading it! So I am not sure how those who are faint of heart would go, however, there were also moments where it was quite delightful and awe-inspiring, such as Canna being captivated by his findings during the mission, as well as stunning landscapes the men travelled through, especially toward the end of the story which was a nice contrast. The finding of Iwa in chapter 25 was a clever twist and the way Ulta, Canna and Hal escaped was very amusing.
To be able to write a tale with so many interesting characters deserves special mention, and the writing was so beautifully formulated, there were many times I caught myself feeling much admiration for the authors expressive writing skill (as a quick example: “Knuld’s expression was of grizzled indigestion as he rubbed the wispy hairs on his chin.”) I also loved the humour and funny little quips peppered throughout the story, and found myself chuckling often.
With my above opinions and the considerable amount of research, time, and energy that would have been required to piece this story together, I think it is very impressive work that certainly deserves 5 stars.
The cover, title, and synopsis of this book certainly piqued curiosity in me. Admittedly, it took me a little while to really settle into the story, but in saying that I knew I had to persevere as I love the way it was written. Unique, creative, and very different from anything I have read as of late! I also had a feeling it would turn into quite an epic tale and I was not wrong.
There were moments where it could be raw, gory, and gut wrenching- chapter 24 was particularly stomach churning. My jaw was wide open and my heart was racing while reading it! So I am not sure how those who are faint of heart would go, however, there were also moments where it was quite delightful and awe-inspiring, such as Canna being captivated by his findings during the mission, as well as stunning landscapes the men travelled through, especially toward the end of the story which was a nice contrast. The finding of Iwa in chapter 25 was a clever twist and the way Ulta, Canna and Hal escaped was very amusing.
To be able to write a tale with so many interesting characters deserves special mention, and the writing was so beautifully formulated, there were many times I caught myself feeling much admiration for the authors expressive writing skill (as a quick example: “Knuld’s expression was of grizzled indigestion as he rubbed the wispy hairs on his chin.”) I also loved the humour and funny little quips peppered throughout the story, and found myself chuckling often.
With my above opinions and the considerable amount of research, time, and energy that would have been required to piece this story together, I think it is very impressive work that certainly deserves 5 stars.
June 28, 2023
The Starved God by Thomas Norford is a science fiction adventure with horror elements. When those in charge of the community press Canna Dawn to serve as naturalist on a ship bound across the sea, he has no choice but to obey. Once they arrive at the unexplored continent, he catalogues the flora and fauna. Canna is a curious man and strives to make sense of the way the same kinds of creatures differ from place to place.
But this sci-fi tale is about much more than surveying a new land. Through Canna’s interactions with his fellow crewmen and the animals and humanoids he encounters, he takes a deep philosophical look into the religions, sociology, and evolution of his unique civilization.
At only 246 pages, I expected this to be a quick read. I was wrong, but only because I paused often to absorb and reflect. This book gives you much to think about and the story is very engaging. I had some problems keeping track of the terminology and odd names. My only misgiving was I wished for a glossary and character list. I thought the book was exceptionally well written, the word-building detailed, and the tale riveting. I have read enough horror not to be put off by scenes including that component, but someone else might find them disturbing. These scenes weren’t egregious or added sheerly for shock value. They were necessary for the plot and ingenious in their execution.
I enjoyed the book and loved the way the author brought it to a close. If you relish sci-fi novels tinged with horror, I urge you to read this book.
But this sci-fi tale is about much more than surveying a new land. Through Canna’s interactions with his fellow crewmen and the animals and humanoids he encounters, he takes a deep philosophical look into the religions, sociology, and evolution of his unique civilization.
At only 246 pages, I expected this to be a quick read. I was wrong, but only because I paused often to absorb and reflect. This book gives you much to think about and the story is very engaging. I had some problems keeping track of the terminology and odd names. My only misgiving was I wished for a glossary and character list. I thought the book was exceptionally well written, the word-building detailed, and the tale riveting. I have read enough horror not to be put off by scenes including that component, but someone else might find them disturbing. These scenes weren’t egregious or added sheerly for shock value. They were necessary for the plot and ingenious in their execution.
I enjoyed the book and loved the way the author brought it to a close. If you relish sci-fi novels tinged with horror, I urge you to read this book.
December 12, 2023
This book for me was a little difficult to read, just because there was a lot of dialogue and explanations. There was, however, a glossary at the back of the book to help me understand or remember things. Yet this story is also very interesting and primeval, with both fantasy and (a touch of) horror. I do have to say that I like the theory/philosophy presented at the end of the story as well as the world-building.
This excerpt depicts the writing style one would enjoy:
Moshim stood there above the Riverbend populace doing and saying nothing. In short order, the crowd stilled, almost at once, and every face turned to him.
He boomed, “Svangur was compelled by His master, Dregva, to fashion a beautiful meadow, with trees bearing fruit, pools of clear, sparkling water, and flowers of every hue. Dregva wallowed in sloth, and where he trod, grass turned yellow and brittle, flowers died, and where he drank, the waters became poison. To indulge his pleasure, he sent a swarm of bees to torment Svangur, whom he had chained to a rock. Bees stung God, and died, stung Him, and died. Svangur whispered to a bee the secret of making honey, and the bee flew far away, and upon its return, placed a single drop of honey on the starving God’s tongue. Svangur taught the bee to dance, and said, ‘Dance, little one, for your queen, for your brother, and teach them the secret of honey.’ Soon, the bees brought a wealth of honey to Svangur, and God’s ribs no longer protruded from His chest and He gained the strength for His unbinding…
This excerpt depicts the writing style one would enjoy:
Moshim stood there above the Riverbend populace doing and saying nothing. In short order, the crowd stilled, almost at once, and every face turned to him.
He boomed, “Svangur was compelled by His master, Dregva, to fashion a beautiful meadow, with trees bearing fruit, pools of clear, sparkling water, and flowers of every hue. Dregva wallowed in sloth, and where he trod, grass turned yellow and brittle, flowers died, and where he drank, the waters became poison. To indulge his pleasure, he sent a swarm of bees to torment Svangur, whom he had chained to a rock. Bees stung God, and died, stung Him, and died. Svangur whispered to a bee the secret of making honey, and the bee flew far away, and upon its return, placed a single drop of honey on the starving God’s tongue. Svangur taught the bee to dance, and said, ‘Dance, little one, for your queen, for your brother, and teach them the secret of honey.’ Soon, the bees brought a wealth of honey to Svangur, and God’s ribs no longer protruded from His chest and He gained the strength for His unbinding…
May 20, 2023
Giving this book anything less than five stars would be absolute lunacy, and the fact that it only has five ratings at the time of writing this review is even more ridiculous. I cannot recommend this book highly enough. It has been an absolute joy to delve into its intricate world-building, complex and nuanced characters, and the philosophical battles between reason and faith.
The Starved God excels on all fronts. At its core, it emphasizes exploration, both literally and metaphorically. Much of the novel follows Canna and the crew of the vessel "The Improbable", embarking on a Darwinian adventure and exploring exotic islands teeming with unique flora and fauna. But beyond this, there's a deeper exploration of the human condition. Indeed, the plot is but a conduit for the author to probe profound questions like: What is a soul? What is good? What is natural? What is God?
I could expound on this book for ages. It has been a delightful addition to my shelf, and I eagerly await future works from Norford. It's a lengthy book, and the author doesn't shy away from verbosity and complex prose. However, the result is an exceptionally professional, well-crafted, and impeccably written book.
I offer no critiques. It's a fantastic book from start to finish, and I implore anyone who enjoys fantasy to give it a try. If I were to liken the style to anyone, it might be Robin Hobb. However, at the risk of being bold, I would say that Norford surpasses her on a prosaic level.
The Starved God excels on all fronts. At its core, it emphasizes exploration, both literally and metaphorically. Much of the novel follows Canna and the crew of the vessel "The Improbable", embarking on a Darwinian adventure and exploring exotic islands teeming with unique flora and fauna. But beyond this, there's a deeper exploration of the human condition. Indeed, the plot is but a conduit for the author to probe profound questions like: What is a soul? What is good? What is natural? What is God?
I could expound on this book for ages. It has been a delightful addition to my shelf, and I eagerly await future works from Norford. It's a lengthy book, and the author doesn't shy away from verbosity and complex prose. However, the result is an exceptionally professional, well-crafted, and impeccably written book.
I offer no critiques. It's a fantastic book from start to finish, and I implore anyone who enjoys fantasy to give it a try. If I were to liken the style to anyone, it might be Robin Hobb. However, at the risk of being bold, I would say that Norford surpasses her on a prosaic level.
June 25, 2023
Not a long story, but be prepared to take your time with this one. The prose is rich and engaging, and I found myself rereading passages for their poetic quality. That being said, I sometimes I had to reread to keep strange names / places / world-building words straight in my head, but if you read more fantasy than I do, then this won’t be a problem for you. The exotic is also mixed in with modern-sounding phrases, but the author is consistent with this throughout, so it is simply a feature of the world he’s created.
The setting where we find Canna is similar to Earth and yet there are startling differences – both in the way the humans (or not humans?) are described and their way of life. It’s fantasy, but without the typical lore and mythology of most fantasy out there. I’m not really sure whose work to compare it to, and I think Norford has created something unique here.
I would say that there are two types of adventure going on in the book – both the explorations of Canna on board the ship The Improbable and an inner, philosophical exploration, though the latter never bogs down / slows down the action.
Be prepared for some heavy themes. I actually bought this book because I am a horror fan at heart, but have been delving into fantasy and chose this book because based on other reviews I thought it might blend the two genres. Definitely more fantasy than horror, though.
Would I recommend it? Yes. This is an author to watch for.
The setting where we find Canna is similar to Earth and yet there are startling differences – both in the way the humans (or not humans?) are described and their way of life. It’s fantasy, but without the typical lore and mythology of most fantasy out there. I’m not really sure whose work to compare it to, and I think Norford has created something unique here.
I would say that there are two types of adventure going on in the book – both the explorations of Canna on board the ship The Improbable and an inner, philosophical exploration, though the latter never bogs down / slows down the action.
Be prepared for some heavy themes. I actually bought this book because I am a horror fan at heart, but have been delving into fantasy and chose this book because based on other reviews I thought it might blend the two genres. Definitely more fantasy than horror, though.
Would I recommend it? Yes. This is an author to watch for.
July 23, 2023
The first thing that struck me about this book was the intricate world-building. It's more important than anything in sci-fi and fantasy, of course, but the author's attention to detail, including a glossary and section on lore at the back showed what a labour of love this must have been to write. I admit, I had to refer to both, despite not wanting spoilers, but in order to really enjoy as much as access the story.
Something that I enjoyed, and which stood out to me about this novel was it's visceral descriptions; not only of the humanoid beings in the story, but of other creatures that the naturalists came across on their travels. One in particular of when the naturalists were catching a terrestrial octopus stood out quite vividly to me. With there being so many different species of alien lifeform, the biological explanations of how certain organisms reproduced, etc. was also interesting. It didn't shy away from difficult topics either, like repopulation of species as a result of crimes such as the 'r' word, which added gritty realism to the otherwise fantastical story, as well as a philosophical angle.
Despite this being a short-ish novel at just over 200 pages, it wasn't a straightforward read, mainly because of the unusual names and detailed descriptions to keep wrapping my head around. I liked Canna, though, and this kept me reading. I also thought a strength of the book was using quite poetic chapter titles, such as 'The passion of the unnamed'.
Something that I enjoyed, and which stood out to me about this novel was it's visceral descriptions; not only of the humanoid beings in the story, but of other creatures that the naturalists came across on their travels. One in particular of when the naturalists were catching a terrestrial octopus stood out quite vividly to me. With there being so many different species of alien lifeform, the biological explanations of how certain organisms reproduced, etc. was also interesting. It didn't shy away from difficult topics either, like repopulation of species as a result of crimes such as the 'r' word, which added gritty realism to the otherwise fantastical story, as well as a philosophical angle.
Despite this being a short-ish novel at just over 200 pages, it wasn't a straightforward read, mainly because of the unusual names and detailed descriptions to keep wrapping my head around. I liked Canna, though, and this kept me reading. I also thought a strength of the book was using quite poetic chapter titles, such as 'The passion of the unnamed'.
January 28, 2024
"The Starved God" by Thomas Norford presents readers with a captivating journey into a fantastical realm filled with scientific wonders, cultural nuances, and profound existential questions. As the protagonist and their colleagues immerse themselves in the elpi village, the narrative unfolds with rich descriptions and intricate character dynamics. Norford masterfully weaves together themes of grief and discovery, juxtaposing the characters' mourning for lost comrades with the awe and fascination that accompanies their exploration of the elpi society.
The elpi village serves as a captivating backdrop for reflections on cultural diversity, highlighted by monogamous pair bonding, playful interactions, and a unique female-led governance structure. Norford introduces readers to the elpi's advanced scientific pursuits, showcasing remarkable inventions and thought-provoking experiments involving insects and a peculiar tree. The narrative seamlessly blends elements of adventure, science fiction, and introspection, offering a thought-provoking exploration of survival, love, and the complexities of existence. As tensions rise within the elpi village, negotiations and conflicts add suspense to the plot, ensuring that "The Starved God" remains a compelling read for those who appreciate imaginative narratives with profound thematic depth.
The elpi village serves as a captivating backdrop for reflections on cultural diversity, highlighted by monogamous pair bonding, playful interactions, and a unique female-led governance structure. Norford introduces readers to the elpi's advanced scientific pursuits, showcasing remarkable inventions and thought-provoking experiments involving insects and a peculiar tree. The narrative seamlessly blends elements of adventure, science fiction, and introspection, offering a thought-provoking exploration of survival, love, and the complexities of existence. As tensions rise within the elpi village, negotiations and conflicts add suspense to the plot, ensuring that "The Starved God" remains a compelling read for those who appreciate imaginative narratives with profound thematic depth.
March 25, 2024
From the outset, Norford captivates readers with his intricate world-building and the novel's unique premise. The societal structures, influenced by a theocratic rule and a flawed deity, lay the groundwork for a narrative ripe with tension and introspection. Canna, the protagonist, is a brilliantly crafted character whose journey is not just physical but profoundly intellectual, challenging his beliefs and understanding of the world.
The voyage to Eyra is filled with danger, not just from the treacherous seas and deadly wildlife but from the internal dynamics and conflicts within the crew. This element of suspense, combined with the exploration of new lands and cultures, particularly the elpi village, enriches the narrative, offering a deep dive into themes of cultural diversity, survival, and existential inquiry.
For those who relish a story that challenges the mind while captivating the heart, this book is a must-read. Highly recommended for its originality, depth, and engaging storytelling.
The voyage to Eyra is filled with danger, not just from the treacherous seas and deadly wildlife but from the internal dynamics and conflicts within the crew. This element of suspense, combined with the exploration of new lands and cultures, particularly the elpi village, enriches the narrative, offering a deep dive into themes of cultural diversity, survival, and existential inquiry.
For those who relish a story that challenges the mind while captivating the heart, this book is a must-read. Highly recommended for its originality, depth, and engaging storytelling.
July 9, 2023
I found this book very hard going initially; with lots of strange words. It would have been a great help to have a glossary of the made up words to give a brief description of what the creature was; and found myself having to often re-read sections to visualise what was happening to who or what, whether it was of human origin or animal. Whether it was a god a leader a villager a pet animal or a working beast. Also I imagined for a long time yfir was a mountain, and it was not until over half way through I realised it was a bridge. I was however intrigued and kept reading, eventually really wanting to get to the end to find out what happened.
I feel now I need to read the book for a second time to appreciate what was happening now i have a clearer idea of the nature of the beings and creatures, and the overall intention of the group.
Overall enjoyable and would read again - reviewed on behalf of Jonathan.
I feel now I need to read the book for a second time to appreciate what was happening now i have a clearer idea of the nature of the beings and creatures, and the overall intention of the group.
Overall enjoyable and would read again - reviewed on behalf of Jonathan.
July 10, 2024
Starved God is an interesting read. Dark and at time whimsical. The sci-fi elements blend well with a seemingly more period feel.
The Starved God plays with dark themes and ideas of human nature, another thing that I love. There is are certain parallels in this book as Canna explores the world, and himself. In that sense it has all the hall marks of good hero’s journey, going out on an adventure and experience a change to his world.
The writing style is direct, but without sacrifice of artistic expression. There is an efficiency to the writing that surprised me. Often times I find myself either wanting authors to speed it up or slow it down, Thomas Norford balances that line and I never found myself having that experience. Something that I find rare even in the more notable authors.
The Starved God plays with dark themes and ideas of human nature, another thing that I love. There is are certain parallels in this book as Canna explores the world, and himself. In that sense it has all the hall marks of good hero’s journey, going out on an adventure and experience a change to his world.
The writing style is direct, but without sacrifice of artistic expression. There is an efficiency to the writing that surprised me. Often times I find myself either wanting authors to speed it up or slow it down, Thomas Norford balances that line and I never found myself having that experience. Something that I find rare even in the more notable authors.
August 30, 2025
Not only is this a towering literary achievement, but the author is devastatingly handsome, kind, and modest...ok, ok, you smell a rat. Well done, Sherlock - I'm the author. It's a good book though, I think. Give it a whirl if you're so inclined.
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