Why doesn’t the story of The Three Little Pigs work without the Big Bad Wolf? To quote Kennedy in this novel:
“Because all stories are about crisis. Yours. Mine. The guy sitting opposite you on the train as you read this. Everything’s narrative, after all. And all narrative – all storytelling – confronts a basic truth. We need crisis: the anguish, the longing, the sense of possibility, the fear of failure, the pining for the life we imagine ourselves wanting, the despair for the life we have. Crisis somehow lets us believe that we are important; that everything isn’t just of the moment; that, somehow, we can transcend insignificance. More than that, crisis makes us realize that, like it or not, we are always shadowed by the Big Bad Wolf. The danger that lurks behind everything. The danger we do to ourselves.
“But who, ultimately, is the mastermind of our crisis? Who is the controlling hand? To some, it’s God. To others, the state. Then again, it might be the person you want to blame for all your griefs: your husband, your mother, your boss. Or maybe – just maybe – it’s yourself.
“That’s what I still couldn’t figure out about everything that had recently happened to me. Yes, there was a bad guy in the story (…). And yes, I knew the name of this man. But… and it’s a big but… might he have been me?”
And that is the moral that sums up TEMPTATION. Not the best I’ve ever read, but certainly riveting, enjoyable, readable like a movie script, entertaining, funny, dramatic, poignant, and especially realistic, as it greatly succeeds in depicting the dark world of Hollywood, a world of endless temptations and the highs and downs of achieving success.