"For the first time in my life, I feel as if I've gotten a year older."
The café is looking its age: peeling paint, rickety shutters, old signs. Alpha is thinking about a remodeling effort, but that would take a whole bunch of time, money, and motivation she doesn't quite have at the moment. Indeed, most home projects often require a cause or a source of inspiration. In YOKOHAMA KAIDASHI KIKOU v3, Alpha receives her motivation through a wholly natural if somewhat dangerous muse when a typhoon sweeps through the area and decimates Café Alpha.
And although everyone's favorite quiet-life robot girl doesn't have many options (or money), it's clear that "starting over" with the café will first require a mental break.
The heft of YOKOHAMA KAIDASHI KIKOU v3 tracks Alpha as she journeys, on foot, throughout this distant and decaying Japan. She circles swamps, climbs through overgrown valleys, gets lost, learns about the dangers of roasting gigantic chestnuts, gets lost again, and on and on. Previously, this manga was about exploring one's relationship with the environment to ascertain how overlooking nearby details can inform the depth of self. The current volume, however, slightly inverts the scenario. Alpha ventures far from home, broadening her circle of familiarity, and in doing so exposes herself to the grandeur of human diversity and the many curiosities therein.
An airplane? An actual airplane? Alpha's never seen one up close before. And considering how often she daydreams about flying, the young woman's encounter with a peculiar robot pilot sets her imagination on a collision course with awestruck reality.
Mount Fuji? Up close? Alpha can see the massive mountain from the café. And yet, when she travels (and later sets up a streetside stand selling honey corn to make some cash), the nearness and magnificence of Fuji reinforces the intimacy one often desires when huddled at home and at peace.
Takahiro is tall now? And Makka has grown up, too? Funnily enough, the gradual growth and maturity of the manga's secondary characters earns respectable attention in this volume. Takahiro takes care of Alpha's motorbike while she's away, and the boy's attention is dutifully split between tending to the gas station, keeping tabs on Makka, and just plain growing up in the sticks. Takahiro is 13 or 14 years old now, but he's matured a good deal. Readers still don't quite know the details of his fondness for Alpha, beyond his general affection for her, but one wonders whether being a year apart from the robot lady has moved his emotional fortitude one way or the other.
YOKOHAMA KAIDASHI KIKOU v3 is a delightful volume. The book's shifting tactics for assessing how one measures their dependency on the things of home is impressive. For example, an early chapter about Alpha taking a photo of the café's façade, and then subsequently losing her camera when she falls into a sinkhole at the shoreline, absolutely tugs at the heartstrings. The author's tight articulation of Alpha's waning eyebrows and wordless, disconsolate trudging truly manifest that even for a robot, images of home, however ephemeral, hold value.
The current volume encompasses the source material for the second set of OVAs (2002) that constitute the manga's adaptation. The second set of OVAs lack the keen and dynamic environmental design of the first set, but accurately and beautifully focus on the manga's loose and feathery reclamation of emotional uncertainty. Alpha is a robot who never ages, and yet, she explores the world to explore herself. And she's constantly surprised at what she finds.