I'm not sure how the YA escaped me. I guess I was glad to see a freebie that was a "complete" trilogy (heads up--it's NOT a complete series...)
Disappointed to find "YA" must mean half-grown, as this left me wondering where the rest of the story was. Yes, all the requisite elements are here, as though the author followed a careful script, but... I dunno. It seemed to lack life or a sense this was a real world. Maybe it was the POV or the fact no one spoke or behaved like real people. You couldn't tell anyone apart by their voice because they all spoke with the same passionless one.They seemed to know their roles, but demonstrated no great insight into why or how it came so easy to accept and play their parts. The characters were incomplete and lacked believability. I mean, if I'm an ill-educated rube from the farm, is it logical I would gracefully accept weird powers or a quest to save the world, or be able to fit in with everyone from sailors to monks to nobles? Should I have an affinity for learning languages and dialects? Would I believe so easily that I was protector of a mythological heroine and be willing to sacrifice everything to do the job? Is it logical (or even interesting) when every conflict, whether simply contrary snarkiness or outright hatred and a desire for vengeance, should be so easily defused, with everyone apologizing and declaring sympathy, regret, and even love and respect almost immediately? Even when it isn't (notably the whole weird "someone's got to marry the son of our enemy" scenario, where the beloved lookalike cousin is a mystifying bitch and the groom seems unfazed by which girl he ends up with), there's just no logic or real passion.
The villains are no better drawn than the unlikely heroes, let alone the easily directed unwashed masses. The big set-up about this bogus religion and preparations for war that so easily fizzled because it was built around one crazy man didn't wash. Every attempt to build on the whys and hows of setting up his power base and especially his key connection to the heroine just lacked oomph and a real sense of danger. And WTF was all that buildup with her bond with the tongueless boy if he still fought against her face to face? What was this evil compulsion that didn't even seem to require effort to invoke? She gave him a name and liberated him, but not when it mattered? Oh, you're more powerful than I am and fighting on the wrong side, but I'm sure you don't want to, so whatever, no hard feelings. By the way, I love you. Again, whatever. We can let that play out between chapters because it doesn't matter and may involve actual feelings or physical acts that require a YA-inaporopriate staff of a different kind altogether. Let's fast forward a few years and skip that crap, k?
In the end, I just couldn't be arsed enough to care about anyone, even the teaser for the next book. Kenwood and his pirate family came closest to swaying me, but they were just supporting cast.
Alas, it seems a rare treat that a free ebook involves a real gem that deserves to be discovered. The come-on has become a bad means of trying to hook readers on badly done series and/or stuff that never would have made it through anything but self-pub. In this case, a skilled editor might have made a world of difference. I'm still trying to figure out what a YA designation means. I assumed it meant simply a painful lack of explicit sex, but from what few titles I've read with this label, there also seems to be an inherent lack of effort. Sucks to make that transition from child to adult when even the characters you're supposed to identify with aren't even worth the effort to view as complete people. Sorry, kids! May I suggest you run and discover Robin Hobb instead?