I really do not understand the hype for this book. I was recommended this book by a friend whose reviews I almost always agree with and trust, but sometimes I wonder if she (and the rest of the reviewers on Goodreads) has read the same book that I did.
The beginning was probably the best part of the book, which is saying something. We meet Jepp, a dwarf, who lives in a small village at the inn that his mother owns. He is accepted there and his life is relatively happy. And, of course, he is super-smart because he learned to read. The one problem is that he does not know who is father is. He meets this stranger who tells him that he will have a much better life if he lives with the Infanta, or Spanish princess. To entertain the princess, Jepp has to jump out of a pie, an incident that is referenced probably 40 times during the rest of the novel. Okay, Katherine Marsh, we get it. That incident represents confinement and dependence and whatever, but do we really have to hear about it so many more freaking times? And Jepp meets Lia, whom he absolutely falls head over heels with, and we only know this because the author tells us. I don't know what Lia looks like or anything about her personality except for she used to live by the ocean and she loves to sing. Of course. Then bad, bad things happen. Lia dies, Jepp blames himself, and he is taken by this prisoner guy. But we already knew that this was going to happen, because at the start of almost every chapter leading up to this, there is a page-long monologue of how miserable Jepp is inside this cage, except the prisoner guy is actually pretty nice to him, considering that he's a dwarf and all, and of how much he misses Lia. This is probably supposed to be foreshadowing, but I had no emotional investment in Lia's death, or the events leading up to it.
Thus starts the second part of the book, where Jepp lives with Tycho in this amazing palace. He is finally free of his life at the old, equally amazing palace! And though at first he had to live with the donkey, or mule, or whatever, he gained respect because he snuck into Tycho's secret libraries and learned all about Tycho's research with the stars. Thus is something else that Katherine Marsh repeats over and over again in this novel. I swear to god, there is not one page in the pages of parts 2 and 3 without the words stars or Fate. It's like we're too stupid to understand the main themes in her book (which are in the title and the blurb on the back) so she has to force them down our throats.
Then comes Jepp's second love interest, Magdalene, Tycho's daughter, and Lia disappears from his mind forever, as if she never happened. (We also meet a character named Liv, who really has nothing to do with the plot at all. It is such a book pet peeve of mine to have two characters that have names so close to together. I mean, really! Couldn't the author have been a little more creative?) But Jepp's love for Magdalene was no more convincing than his love for Lia. In fact, just a chapter or so before Jepp decided that he loved Magdalene, he talked about how much he hated her! And Magdalene just decided to love him back. There was absolutely no talk about Jepp and Magdalene's very conspicuous height difference, which would have made for an excellent story arc. Because, even in these modern times, it is quite difficult for a little person to have a romantic relationship with a normal-sized one. No, the reader was just supposed to believe that after a G-rated stroll around the palace lawn, Jepp and Magdalene were in wuv. That is pretty much all that happens in the second part. Jepp does some research with Tycho about stars and they have a few vague conversations about Fate and whether or not Jepp, a dwarf, can defy the Fate written in his stars (like the title! wow!). And then, at the end, Jepp decides that he needs to find his father and get some money so he can finally marry Magdalene.
I skimmed the third part because I was so darn bored of the story that I just wanted it to be done. We find out within a span of about five pages that Jepp's mother died and is not really his mother! Oh no! He believes that his mother might be in the palace of the Infanta so he goes back there, figures out who is mother is (but who really cares?), finds out who is father is(but who really cares?) and gets a large sum of money. And then Magdalene surprises him. Jepp tells her that they can get married now that he has money.
So what have we learned from this book? If you repeat a motif on every single page of the book, your audience will then understand it. If you say that two people are in love, or that something is sad, then the audience will believe it. If your first love dies, just fall in love with the next pretty girl that you meet and do not care about her at all. And, of course, money conquers everything.
This book was supposed to be about Fate, and the fact that a little dwarf with no future can make a great name for himself. I got nothing of that. I was bored the entire time that I read this, and after the 50,000th time that I was given a monologue about the stars and horoscopes, I wanted to throw this book against the wall. Now, the writing of this novel was perfectly fine, but the idea and its execution failed miserably.