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Conversations with August Wilson
In little more than twenty years, playwright August Wilson (1945–2005) completed a ten-play cycle depicting African American life in the twentieth century, with each play taking place in a different decade. Two of the plays― Fences (1987) and The Piano Lesson (1990)―were awarded the Pulitzer Prize, and seven of them received the New York Drama Critics' Circle Award for best American play. Wilson was indisputably the most significant American playwright to emerge since Edward Albee.
Conversations with August Wilson collects a selection of the many interviews Wilson gave from 1984 to 2004. In the interviews, the playwright covers at length and in detail his plays and his background. He comments as well on such subjects as the differences between African Americans and whites, his call for more black theater companies, and his belief that African Americans made a mistake in assimilating themselves into the white mainstream. He also talks about his major influences, what he calls his “four B's”―the blues, writers James Baldwin and Amiri Baraka, and painter Romare Bearden. Wilson also discusses his writing process and his multiple collaborations with director Lloyd Richards.
Throughout, Wilson is candid, expansive, and provocative, displaying in these exchanges his willingness to confront controversial topics just as he did in his plays.
Conversations with August Wilson collects a selection of the many interviews Wilson gave from 1984 to 2004. In the interviews, the playwright covers at length and in detail his plays and his background. He comments as well on such subjects as the differences between African Americans and whites, his call for more black theater companies, and his belief that African Americans made a mistake in assimilating themselves into the white mainstream. He also talks about his major influences, what he calls his “four B's”―the blues, writers James Baldwin and Amiri Baraka, and painter Romare Bearden. Wilson also discusses his writing process and his multiple collaborations with director Lloyd Richards.
Throughout, Wilson is candid, expansive, and provocative, displaying in these exchanges his willingness to confront controversial topics just as he did in his plays.
282 pages, Paperback
First published January 17, 2006
46 people want to read
About the author
Jackson R. Bryer
69 books10 followersDr. Jackson R. Bryer is a Professor Emeritus of the University of Maryland's Department of English, who has also worked with the Department of Theatre as an affiliate faculty member and literary advisor.
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January 6, 2019
Black Power! Yes, indeed. This man espoused beliefs that many would consider black nationalist. I've only read Fences. I was surprised to read that Mr. Wilson didn't consider Fences his signature play (251). Nor was it his favorite. ( It was his least favorite.) These interviews involved little comment on his marriages or his daughter. I did learn that he had lived in Pittsburgh, Pennsylvania; St. Paul, Minnesota; and Seattle, Washington, in that order.
This would satisfy a devoted fan of Mr.Wilson.
This would satisfy a devoted fan of Mr.Wilson.
Displaying 1 of 1 review