Stephen C. Pollock’s collection Exits: Selected Poems boasts both mesmerizing artwork and stunning formal and free verse pieces in conversation with one another. Two standouts in the collection were the very first piece, “Arachnidaea: Line Drawings,” and, further into the collection, a poem about the moon titled “Waxing Crescent.”
I love that a poem about spiders is what anchors this collection. I understand that not everyone likes poetic elements such as alliteration, “[t]hese haunts are hung haphazardly” make this poem lyrical and spiral in towards a deeper understanding of the spider we’re observing spin a web, devour other insects, and ultimately fade out to black as the spider’s life must finally end.
While spiders are not technically insects themselves, they do practice what Pollock calls “insecticide,” catching flies, beetles, moths, etc., leading us to ask what metaphors for violence look like in both the animal kingdom as well as our own. Pollock’s lens captures something regal in the spider, likening her web to “[e]xtravagance at dawn— / your finest threads are strung with pearls/ and you, a brooch with a clasp,” which conjures up visions of sartorial excellence such as fine taffetas, satins, or bejeweled brocades.
This poem is dark because nature is dark at times, but it makes a point to also include lively moments with the exuberance of color/motion with lines like “flash and snap in the sun” and indulgent yet perfectly capturing language, “votive offerings, each sucked dry; / paper mâché sarcophagi,/ cruel chrysalis for moth or butterfly.” The fifth section’s extended metaphor of the spider working as concert conductor is fantastic, with strong imagery and sound that crescendos and decrescendos masterfully.
In general, Pollock’s work tends toward the observational, particularly in his nature-based writing. Looking through the table of contents as a preview of what literary delights await, one sees titles such as “Seeds,” “Leaves,” “Narcissus,” “Metamorphosis,” and “Spine of Dorian Gray.” One can clearly see Pollock’s deep well of Greek mythology and canon literature, and these poems sport great diction, melody, and, in the case of form-based poems, excellent rhyme schemes that offer great surprise as well as satisfaction.
I greatly appreciate the variety of subjects that Pollock works with, because he truly does have something for every poetry lover in this book. His selections of included artwork help to set the mood and really lets you enter into each piece. Exits is a great piece of modern poetry!