(2.5 stars) Usually a Balogh romance lets us into the mind and thoughts of the hero, in addition to those of the heroine, (sometimes to the detriment of a sleazebag hero such as Archie in TEMPTING HARRIET). But here we are given no idea of the thoughts and motivations of Christopher, Rebecca's inconstant love, a man who promised her his heart and then abruptly deserted her to marry another. I'm pretty sure that's a purposeful omission on Balogh's part. We focus only on Rebecca and her constant heart. We have to believe, as she does, that Christopher is not worth her love. Yet that love remains in her heart, in spite of his inconstancy.
OK, I'll buy that limited POV device, although I found it very frustrating. What I don't buy is what Christopher did to Rebecca seven years prior to this story when, privately promised to her, he leaves her for another woman, without really explaining himself. No sadness, no apologies, no regrets, no angsty farewell, no tears or tenderness. He was unnecessarily cold and heartless. Towards the end of the story he gives his justifications for his actions, but I didn't accept it at all. Good thing for him that Rebecca did or there'd be no HEA for him.
As for the story itself, it's a very early one, her fourth, from 1987. It shows its age and also shows a great deal of influence from Jane Austen novels. I picked up certain similarities in characters, their interactions and behavior, and story lines, from P&P, PERSUASION, and even SENSE AND SENSIBILITY, that were fairly obvious. That's, of course, not a bad thing, just an observation on my part.
After being deserted seven years earlier, long-suffering heroine Rebecca hasn't heard from Christopher. In the meantime she has become actively involved in the village school, working with Phillip, the young, handsome, boring, conservative, stick-up-his-posterior vicar of the village, to whom she is now engaged. In addition to Phillip, there are many other secondary characters, most not very deeply developed, but entertaining nonetheless. Sort of picked from central casting. Rebecca's snooty, full-of-himself uncle, his young, mousy, second wife Maude, his spoiled brat of a daughter Harriet, Maude's fortune hunting brother, Christopher's friend Luke, and Christopher's brother and sisters.
There are superficial secondary romances, convenient deaths and broken engagements to facilitate these romances, and picnics, excursions, fairs, teas, and dances as the settings for many a scene. An exciting time is had by all. And there's lots and lots of time for Rebecca to spend in introspection, internal rehashing of the past, agonizing over her feelings, etc., all in her own repetitive thoughts, never in conversations with the people who have wronged her. The only points I give Rebecca are for finally standing up for herself and all womankind when she dumps the vicar. As for her relationship with Christopher: There she was too giving and forgiving of his actions.
The story moves slowly and prosaically. Rebecca goes over and over the same thoughts far too many times, and the thoughtless hero (thoughtless in both actions and in the lack of his POV) was a bust. His rationalizations for how he treated Rebecca seven years ago did not work for me at all. And, BTW, he did not explain why, after promising her he would never return to the village, he did. (It was an unrealistic and strange promise to make anyway. Didn't all his family live there?) Still, his return showed that he's not exactly a man of his word.
I almost gave this 2 stars but decided to go with 3 because the story kept me reading to the end. Of course, that was because I was looking for Christopher's reasons for being a jerk. Unfortunately, he never explained it to me.