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432 pages, Paperback
First published March 1, 2014
The Old Scale Game - an aged dragon and an equally aged knight find common cause. Light-hearted and fun, but not very deep.If you read all the above, you'll find that I learned this: Williams goes for the obvious ending almost every time. While the writing is pretty solid, the stories often fail at the ending. For one thing, they're generally too long for the ending they offer - or the endings are too easy for the long story they follow.
The Storm Door - a demon hunter finds evil close to home. This stands out for the unusual tone of its ending, which I liked.
The Stranger's Hands - a pair of mysterious strangers can grant wishes, but there's something dark behind their power. I like this one quite a lot for most of its length, but the end was disappointingly simplistic and cheapened the rest of the story.
Child of an Ancient City - tales within tales within tales, with a vampire at its heart. Good, but too long for the ending to really work well.
The Boy Detective of Oz: An Otherland Story - a sequel of sorts to the Otherland series, starring Orlando Gardiner, now a resident troubleshooter in Otherland. I liked the fact that Williams seemed to have actually read beyond the first book, and be a genuine fan of Oz; the Glass Cat is a key character. Well told, but again the ending is a bit of a letdown - too much buildup, too little impact.Three Duets for Virgin and Nosehorn - a priest, a maid, and an artist accompany a stuffed animal to its destination. This is one of the best stories in the book. For once, Williams reaches for an ending that's not pat and simplistic. He doesn't quite reach it, but he's close.
Not with a Whimper, Either - participants in a chatroom deal with a crisis. Far too long for its unoriginal premise.Some Thoughts Re: DARK DESTRUCTOR - an after school note from one boy to another. Very funny, very well done, and by far the best story in the book. Williams find exactly the right balance of tone and content.
Z is for... - a man coming off a drunk struggles to remember where he is. Probably the weakest story of the set. Flat, confused, and unoriginal.Monsieur Vergalant’s Canard - a purveyor of wonders talks with his brother. One of the better stories, with a nice balance and ending.
The Stuff that Dreams Are Made Of - a struggling stage magician fills in as a detective. As with so many others, a decently crafted story that fizzles out at the end.
A Fish Between Three Friends - three friends each encounter a talking fish. Uninteresting except for one little flourish at the end.
Every Fuzzy Beast of the Earth, Every Pink Fowl of the Air - God's daughter interferes in the Earth's creation. This was a good idea that didn't quite take off. There are a lot of bits that could and should have been funny (the creation of the platypus), but didn't quite make it. I really wish this one had worked.
A Stark and Wormy Knight - a dragon tells her son a good night story. Mildly humorous, but told in a clever patois that isn't nearly funny enough to hold the story for so long, and there's not that much else there.Omnitron, What Ho! - a young aristocrat tells how he acquired his automated butler. This one reminded me vaguely of Jack Vance - primarily due to the characters and situations, rather than the language. I liked it.
Black Sunshine - old friends meet up again to relive a horrible episode of their youth. Written as a screenplay, which is handy in signposting the rapid changes in perspective and time frame. Mostly, I got the feeling that this could have been an effective film. As a story, the frequent references to background music are obstrusive, though I know and like most of the songs mentioned. The resolution is vague and undeveloped, but the ending works reasonably well emotionally.
And Ministers of Grace - a trained killer prepares to take out his target, and finds himself. This had promise, though it's desperately slow to start, and the intrusive ad snippets are as irritating to the reader as to the protagonist. Unfortunately, as so often in this book, the ending is too simple to sustain the story.
This career retrospective from one of the most-beloved authors in the fantasy genre is essential for fans of his internationally best-selling series novels (Otherland; Memory, Sorrow, and Thorn).
Tad Williams has achieved success in multiple genres and forms, whether in epic fantasy, urban fantasy, science fiction, or young adult fiction. Readers only familiar with such masterpieces as The Dragonbone Chair and Talchaser’s Song will be delighted to discover that in his short fiction, Williams has been able to explore myriad new possibilities and adventures.
Previously collected in multiauthor anthologies and limited hardcover editions, these superlative talks of dragons, super-soldiers, wizards, cyberpunks, heroes, and fools are now available together for the first time in an affordable trade paperback edition. These stories showcase the exhilarating breadth of Williams’ imagination, in stories hearkening to the tales of such classic fantasists as J. R. R. Tolkien, Robert Jordan, Ray Bradbury, and Peter S. Beagle. Included is an original tale written specifically for this volume.
The Very Best of Tad Williams is a true delight to those who have imagined themselves in fantastic worlds beyond the everyday and mundane.
TABLE OF CONTENTS
The Old Scale Game
The Storm Door
The Stranger’s Hands
Child of an AncientCity
The Boy Detective of Oz: An Otherland Story
Three Duets for Virgin and Nosehorn
Diary of a Dragon
Not with a Whimper, Either
Some Thoughts Re: Dark Destroyer
Z is for...
Monsieur Vergalant’s Canard
The Stuff that Dreams are Made Of
Fish Between Friends
Every Fuzzy Beast of the Earth, Every Pink Fowl of the Air
A Stark and Wormy Knight
Black Sunshine
And Ministers of Grace