“The Scepter” is one of those interesting books that tells of more than it speaks.
On the one hand, we have Aidan and Daniel – brothers who live under the tyranny of King Argyle. They must fend for themselves after the king took their parents (and most other adults) as slaves, and in doing so they formulate a plan not only to change their own destiny, but also that of a nation.
Which leads on to some very interesting points, because the strength of this story is really in the subtext. Here we have a brutal and dictatorial ruler who demands that his people work for him without proper recompense… and, in many ways, it appears that the author is passing social commentary on the state of the capitalist system. None of us are paid what we are worth or actually generate, because The Company takes the profit, and so it is with King Argyle.
Further, the King’s system demands that only certain types of work are valid – usually the back breaking, mind dulling kind seen in the likes of Robert Howard’s “Conan”; thus there is no room for creativity or the individual – everyone most conform to the King’s orders or face punishment.
Which brings us to the children. Aidan is the daring one, whilst Daniel would rather sit back and let fate come to him. It is the younger brother who formulates a plan and seeks allies… and in many respects can be seen as a proto-form revolutionary. Thus we see the vigor of youth as a catalyst for idealism which in turn finds the strength to overcome.
Given the upheaval’s that authors native US has been through in the last few years, particularly in regards to healthcare form, it is more than a little interesting to note that “disease” has gifted the two young boys special abilities. Aidan has the ability to communicate with beasts and shapeshift, whilst Daniel can run at lightening speeds.
The all male cast is finely counterbalanced with the introduction of sisters Olivia and Lilly, and the revelations of dragons (acting the part of power hungry old men very well), unicorns, and werewolves, add both depth and texture to an immersive world.
Aimed at middle grades, I fear that much of social commentary will be lost on them, whilst adults will dismiss this a children’s book and not give the chance that it so richly deserves. However, if you are looking for something different in the fantasy genre, and have enjoyed books like Lian Hearn’s “Across The Nightingale Floor”, then you will find this to be a compelling and richly told story.