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Absint
1871. Tijdens de Frans-Duitse oorlog zit een detachement Fransen ingesneeuwd in een fort bij Pontarlier, destijds het centrum van de absint. Een soldaat, Jean Mardet, vindt een baal gedroogde gentiaanblaadjes, bedoeld voor de bereiding van absint. Na talloze omzwervingen vestigt Mardet zich in de Provence, noemt zich José - wat in het Provençaals 'mesjogge' betekent - en bewoont een huis waarin hij in de kelder zijn destilleerapparaat heeft opgeslagen. Alras weet een grote groep liefhebbers de weg naar zijn huis te vinden. Een van hen is een negenjarig jongetje dat, na een in absint gedoopt suikerklontje te hebben gegeten, besluit het geheim van José en zijn tovenaarswerk te ontrafelen.
Op een dag komt de gendarmerie op bezoek. Ze bestuderen de bereiding van de absint en constateren nogal wat gebreken aan de hygiënische voorschriften. Hun rapport verdwijnt echter in de archieven. José, wakker geschud door de inval en de dreiging vanuit Parijs dat de absint officieel zal worden verboden, besluit zijn biezen te pakken.
Het is 1915, de gendarmes verschijnen opnieuw ten tonele en moeten vaststellen dat de vogel is gevlogen. Jaren later vindt het jongetje een paar schriften waarin zijn moeder de verhalen heeft opgetekend die José zijn bezoekers vertelde. Hij ontdekt het geheim van de absintman: een rokkenjager met zeer krachtig lokmiddel - absint.
Op een dag komt de gendarmerie op bezoek. Ze bestuderen de bereiding van de absint en constateren nogal wat gebreken aan de hygiënische voorschriften. Hun rapport verdwijnt echter in de archieven. José, wakker geschud door de inval en de dreiging vanuit Parijs dat de absint officieel zal worden verboden, besluit zijn biezen te pakken.
Het is 1915, de gendarmes verschijnen opnieuw ten tonele en moeten vaststellen dat de vogel is gevlogen. Jaren later vindt het jongetje een paar schriften waarin zijn moeder de verhalen heeft opgetekend die José zijn bezoekers vertelde. Hij ontdekt het geheim van de absintman: een rokkenjager met zeer krachtig lokmiddel - absint.
- GenresFiction
76 pages, Hardcover
First published January 1, 1994
1 person is currently reading
34 people want to read
About the author
Christophe Bataille
20 books3 followersAprès des études de gestion à l'école des Hautes études commerciales (Paris)2, Christophe Bataille travaille deux ans à Londres en coopération pour L'Oréal. C'est là qu'il écrit son deuxième roman, Absinthe, suivant le succès du premier, Annam, bien accueilli par la critique. De retour à Paris, il change de métier en 1995 et passe dans le monde de l'édition chez Grasset tandis qu'il continue d'écrire la nuit. Depuis janvier 2007, il soutient "Bibliothèques sans frontières", une jeune ONG qui vise à faciliter l'accès au savoir dans les pays en développement.
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Displaying 1 - 7 of 7 reviews
April 18, 2010
Bataille, Christophe. Absinthe (1999) ****
Dreamy, atmospheric, poetic
Not being an imbiber of absinthe myself, I read this book because I had previously read Christophe Bataille's poetic novel Annam. This novel is written in a similar fashion, the novel in part as a historical memoir, composed in a captivating style that captures atmosphere and feeling. In a round about fashion Bataille tells the story of absinthe from the days when it was the height of French fashion in the late 19th century and prior to the Great War through its prohibition beginning in 1915. Today absinthe is again legal in most countries of the world that do not prohibit alcoholic beverages. But, as I understand it, absinthe is not legal in the US.
Absinthe is a green (Bataille has it glowing in the dark), bitter, very strong alcoholic beverage flavored with wormwood, anise, and other herbs that is diluted with water and often served with sugar. When I was a young man in France in the sixties I recall seeing absinthe served in the cafes and bars. There was then and continues to be a certain mystique associated with the drink. Many people believe it has mysterious powers, and Bataille makes much of this in his novel. Two of his characters imbibe just a bit of the drink through a sugar cube and go into a trance-like state or a swoon. The central character of the novel, Jose, a round, charming distiller manages to mesmerizes women (or so it is hinted) with his charm and the absinthe.
Absinthe was prohibited because many people believed that it was a dangerous drink that could drive men mad, make women easy, and/or ruin their health. However the current view is that absinthe is no more or no less dangerous than other distilled liquors, the herbal ingredients notwithstanding. When I was in France in that long ago I may have drunk some myself. It has a licorice flavor from the anise or fennel that is added to the alcohol. We called it "Pernod" after the main distributer Pernod et Fils. And then again I may not have actually tried the drink and only imagined its taste. It's hard to remember.
There are a number of paintings showing someone in the throes of absinthe intoxication and a similar number of books written on the history of the drink. On the cover is Albert Maignan's painting from 1895, "The Great Muse," which shows a man dreamily intoxicated by a woman (the muse) with her hands about his head. Presumably this could also depict absinthe intoxication.
I don't think this very short (71 pages) novel is as good as Bataille's first, mentioned above, but it is interesting in that it recalls the France of the early part of the 20th century, especially some people of the hills and villages of Provence. There is a brief almost extraneous story as an "Overture" about one of them who spent most of his time in "Buenos Ayres." Bataille's narrative style is to wander about and then return seamlessly to the main sequence. It is a technique that I would like to master.
Perhaps what Bataille does best is evoke in the reader a deliciously sensual feeling for the women admired by his characters. He does something similar in Annam. Again I am impressed with Richard Howard's lyrical translation.
--a review by Dennis Littrell
Dreamy, atmospheric, poetic
Not being an imbiber of absinthe myself, I read this book because I had previously read Christophe Bataille's poetic novel Annam. This novel is written in a similar fashion, the novel in part as a historical memoir, composed in a captivating style that captures atmosphere and feeling. In a round about fashion Bataille tells the story of absinthe from the days when it was the height of French fashion in the late 19th century and prior to the Great War through its prohibition beginning in 1915. Today absinthe is again legal in most countries of the world that do not prohibit alcoholic beverages. But, as I understand it, absinthe is not legal in the US.
Absinthe is a green (Bataille has it glowing in the dark), bitter, very strong alcoholic beverage flavored with wormwood, anise, and other herbs that is diluted with water and often served with sugar. When I was a young man in France in the sixties I recall seeing absinthe served in the cafes and bars. There was then and continues to be a certain mystique associated with the drink. Many people believe it has mysterious powers, and Bataille makes much of this in his novel. Two of his characters imbibe just a bit of the drink through a sugar cube and go into a trance-like state or a swoon. The central character of the novel, Jose, a round, charming distiller manages to mesmerizes women (or so it is hinted) with his charm and the absinthe.
Absinthe was prohibited because many people believed that it was a dangerous drink that could drive men mad, make women easy, and/or ruin their health. However the current view is that absinthe is no more or no less dangerous than other distilled liquors, the herbal ingredients notwithstanding. When I was in France in that long ago I may have drunk some myself. It has a licorice flavor from the anise or fennel that is added to the alcohol. We called it "Pernod" after the main distributer Pernod et Fils. And then again I may not have actually tried the drink and only imagined its taste. It's hard to remember.
There are a number of paintings showing someone in the throes of absinthe intoxication and a similar number of books written on the history of the drink. On the cover is Albert Maignan's painting from 1895, "The Great Muse," which shows a man dreamily intoxicated by a woman (the muse) with her hands about his head. Presumably this could also depict absinthe intoxication.
I don't think this very short (71 pages) novel is as good as Bataille's first, mentioned above, but it is interesting in that it recalls the France of the early part of the 20th century, especially some people of the hills and villages of Provence. There is a brief almost extraneous story as an "Overture" about one of them who spent most of his time in "Buenos Ayres." Bataille's narrative style is to wander about and then return seamlessly to the main sequence. It is a technique that I would like to master.
Perhaps what Bataille does best is evoke in the reader a deliciously sensual feeling for the women admired by his characters. He does something similar in Annam. Again I am impressed with Richard Howard's lyrical translation.
--a review by Dennis Littrell
March 12, 2012
This was a strange (and confusing) little book. I am still unsure whether or not I liked it. It was definitely unique, shall we say?
I don't understand the characters in this book. They are not poorly done, by any means, but I'm not sure what they have to do with Absinthe. Or what Absinthe has to do with them.
I don't understand the characters in this book. They are not poorly done, by any means, but I'm not sure what they have to do with Absinthe. Or what Absinthe has to do with them.
April 24, 2018
Nostalgic daydream about days, no, societies drenched in Absinth - which turns out to have been a powerful hallucinogen, something I didn't quite realise. The book has a paints few nice images esp. re. narrators memories of his mother but, on the whole, I wouldn't recommend it.
June 14, 2017
Non ho ben capito se è un racconto o un saggio. Certo è che mi ha pizzicato al voglia di saperne di più.
December 17, 2023
Story of a liquor made illegal during the earlier times.
December 25, 2025
Beautiful writing. I love reading in French!!!! Thank you papa.
Close to 5⭐️, will ponder.
Close to 5⭐️, will ponder.
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June 19, 2019Heimelijk, herfstig & bitter.
Displaying 1 - 7 of 7 reviews