I understand that any writer adding to previous research needs to distinguish the work as better in some way, but from the foreword, Hayman gives the impression that the preestablished biographies of Plath are lacking. He even wrote that “there is still no definite biography” in the foreword to the second edition in 2003 (and says this book is only a “biographical study” with more emphasis on Plath’s death). I feel he completely disparaged Linda Wagner-Martin’s biography, which I read a few months ago and enjoyed FAR more.
😡: I felt I was plodding through this book and reaching the end of a chapter was monumental. The style was dry and the reader is bombarded with information without sufficient context or relevance. This is in stark contrast to my opinion of Wagner-Martin’s book, which was engaging and thoroughly explained. Hayman’s view of his research came across as cocky. Minus one star for me.
😡: This isn’t Hayman’s fault, but my copy has so many typos! What the heck happened, Sutton Publishing?
😀: To his credit, this book shared incredible details I never knew until reading. The focus on Plath’s death and all the experiences that led to it is great.
😡: Ted Hughes’ life and behavior is necessary to get the full picture of Plath’s life, especially how he contributed to her suicide; Hayman includes so much information about Hughes and their marriage, but I thought he was too sympathetic. He also explains the censorship battles with the Hughes family, and maybe that is why he is more objective than the so-called feminist-agenda writings of women about Plath. He presents the damning facts against Hughes that should convince a reader of what a jerk he was, but I still could have used a little more anger from Hayman. Others may disagree, but why is Hughes even on the cover? Let Plath have her own cover for the book about her life! Minus a second star for me.
😃: Hayman also writes extensively about her verse and prose, connecting ideas across works as well as connecting events in her life with her writing.
😡: Although some paragraphs describing her poems read like a contest to see how many poems can be name-dropped and described.
😃: I can appreciate how this study is told in caregories instead of chronological order.
😡: By having chapters for different topics, much of the information is repeated nearly verbatim in different chapters. This helps illustrate connections and reminds the reader of information to prevent flipping back a hundred pages, but it left me thinking, “uh duh, you already told me this.” The book could have been shortened by 1-2 chapters if all the repetition were cut.
I want to repeat, this book had so much new information about Sylvia Plath that I am glad to have learned, but it’s not the end-all-be-all of her biographic writing.