In awarding a prize for and putting out an anthology purporting to give a view of the year’s best contemporary poetry, the Forward Prize and Book will challenge its readers as well as reward them with superb examples of new and existing poets. In the foreword, Jeanette Winterson puts into context how she views the 2014 book, which has remarkable echoes of what the world faces in 2022, when she says: “Poetry is the bomb and the safe exploding of the bomb…modern life is in a state of siege. We know that the world is run by the rich for the rich and it appears that there is nothing we can do about it. Our common wealth has been destroyed by greed. Our planet is being destroyed by greed and desperation. The poor are poorer”. Yet she gives a glimmer of hope that “The poem as the bomb is the poem as the flash of energy capable of blasting an opening into our private bunker.”
The many poems in this book gives just that with excellent offerings, such as: Glyn Maxwell’s The Byelaws; The Coal Jetty by Sinéad Morrissey; the marvellous imagery of Jean Sprackland’s Moving the Piano and the funny We Should Call a Man by John Osborne.
What is clear from reading the Forward books is that contemporary poetry is as strong and relevant as ever, with the voices of some remarkable poets to be listened to and enjoyed.