Two enthralling novels by Robert Silverberg about a future in which the minds of the living can be changed for a price—often with dire consequences
In To Live Again, thanks to the Scheffing Institute, death is not the end. For a hefty fee, the soul bank stores the personas of those who have died and inserts them into the brains of willing, living hosts. It’s a process that integrates the two minds, imbuing the host with a menu of highly valuable abilities, memories, and traits. The more personas one absorbs, the greater his social status. When banking mogul Paul Kaufmann dies, many people apply to receive his persona. The leading applicants—his bitter business rivals—are locked in a battle to claim his soul. The Institute follows strict rules to ensure that the host always remains in control, but of course accidents do happen . . . In The Second Trip, Paul Macy wears the Rehab badge, the sign of healing that advertises his status as a reconstruct job. When society derides capital punishment and opts, instead, for personality rehabilitation, criminals undergo mindpick operations in which their identities are stripped and extinguished. Given a new bank of memories and a fresh identity, they are offered a second chance at life. For Paul, though, this gift comes with a price. His former self still lingers inside him, waiting for the opportunity to emerge and battle Paul’s new self for ultimate control. This ebook features an illustrated biography of Robert Silverberg including rare images and never-before-seen documents from the author’s personal collection.
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Robert Silverberg is a highly celebrated American science fiction author and editor known for his prolific output and literary range. Over a career spanning decades, he has won multiple Hugo and Nebula Awards and was named a Grand Master by the Science Fiction and Fantasy Writers of America in 2004. Inducted into the Science Fiction and Fantasy Hall of Fame in 1999, Silverberg is recognized for both his immense productivity and his contributions to the genre's evolution. Born in Brooklyn, he began writing in his teens and won his first Hugo Award in 1956 as the best new writer. Throughout the 1950s, he produced vast amounts of fiction, often under pseudonyms, and was known for writing up to a million words a year. When the market declined, he diversified into other genres, including historical nonfiction and erotica. Silverberg’s return to science fiction in the 1960s marked a shift toward deeper psychological and literary themes, contributing significantly to the New Wave movement. Acclaimed works from this period include Downward to the Earth, Dying Inside, Nightwings, and The World Inside. In the 1980s, he launched the Majipoor series with Lord Valentine’s Castle, creating one of the most imaginative planetary settings in science fiction. Though he announced his retirement from writing in the mid-1970s, Silverberg returned with renewed vigor and continued to publish acclaimed fiction into the 1990s. He received further recognition with the Nebula-winning Sailing to Byzantium and the Hugo-winning Gilgamesh in the Outback. Silverberg has also played a significant role as an editor and anthologist, shaping science fiction literature through both his own work and his influence on others. He lives in the San Francisco Bay Area with his wife, author Karen Haber.
I've never been a huge fan of literary fiction. Perhaps it's because I find our world to be so familiar as to be boring. These science fiction novels by Robert Silverberg were a nice compromise. They were literary in tone but set in a world a bit different from ours.
Both stories share a theme: who am I? Not in the grand mystical sense of “where did we all come from?” but in the more personal sense of “what makes me, me?”
In To Live Again, the Scheffing Institute regularly records the brain scans of the super rich. Then, after death, their scans can be implanted in someone else's brain. The host gets to experience the memories, knowledge, insight, and personality of the dead. The dead get to experience living all over again, even if just as passengers in someone else's head.
Some people have productive relationships with their implants while others live in near constant conflict with them. What does it mean to be “you” when there is someone else in your head? When you have two sets of memories and a voice constantly whispering in your mind, are you really the same person anymore? Silverberg uses this setting to explore maturity, ambition, jealousy, and loyalty.
The Second Trip features Paul Macy. Paul used to be Nat Hamlin, a famous and successful sculptor. Four years ago, Nat was convicted of multiple rapes and was sentenced to Rehab. In the story, Rehab is a process of completely purging the personality and then building a new personality from the ground up—complete with a manufactured past. Paul Macy is the new personality in Nat Hamlin's body.
Nat Hamlin is gone. Or is he? The story plays out almost entirely in Paul's / Nat's mind, as Nat struggles to regain his own life and body and Paul struggles to establish his right to exist, even though “he's” less than 4 years old without any true life experience. Again, there's the theme of “who am I?” coupled with the question of “do I even have a right to exist?”. The resulting conflict is interesting to watch and spurs much thought.