8.5/10
Murphy again writes with charity and sensitivity to the ways Northern peoples might have seen themselves in the Christain story. He helpfully abstains from employing the accusatory term of synchronism, instead preferring a much more mythopoetic and interpretive lens toward premodern religious change. For that I cannot thank him enough.
His basic insights in this study likely hold true. He is right to notice tree motifs across the Northern European world and connect these to both Yggdrasil and the Cross, variously, and sometimes even, together. In some chapters, like his analysis of the Dream of the Rood, this argument holds quite strong, providing deep, novel, and persuasive insights into the text via a close reading. In other chapters, like that of the Elder Futhark alphabet, his findings are associative at best, rather than argumentative. But, scholars (and myself) owe Murphy a great debt for making the associations he makes, even their most tenuous, which usefully expand our conceptions surrounding paganism, Christianity, conversion, and the poetic imagination of Northern Europeans.
Occasionally, he verges on seeing too readily Yggdrasil in every tree perhaps, in a region which was quite densely forested at that. Or even a bit recklessly finding the World Tree in every piece of foliage/botanical motif that met his eye. Nonetheless, this thorough study of the cross and its poetic/symbolic associations with Yggdrasil comes off rather well! His findings may even reveal the terms in which the cross and the Christian narrative were understood and interpreted by medieval Scandinavian, Anglo-Saxon, and Germanic peoples, as they interpreted the Christain narrative as the fulfillment of their own culture’s stories, and simultaneously imagined themselves into the Christain story. Murphy convincingly shows these Northern peoples’ poetic imaginations were certainly peopled by trees, and thus, tree motifs were not lost on them, and usually took on Germanic tones in the process.