I need you now. I need you here at Goathlands. Because of the nature of my present research I can only go to a person in whom I have complete and absolute trust. Details I cannot give you until I know for certain that you will accept. It will require the greatest trust--and the greatest temptations. You would arrive in York in time to catch the four p.m. train. A carriage will be waiting for you. I shall be waiting, too.
There was something else waiting for Emma Waldron. Terror. From the moment young Emma received the mysterious message from her Uncle Josh, her life took a swift and horrifying turn. The comfort she had once found at Goathlands was gone. In its place were shadows and darkness. Goathlands had become her enemy... her mortal enemy.
This wasn't bad, but I really struggled to pay attention and wound up skim-reading because I just wanted to move on. The villain was obvious to me. I thought the climax of the story was kind of goofy, as were some of the villain's tricks.
It's such a shame that the author wrote so few books before he died . There is a freshness in both Mistress of the Moor and Christabel's Room that is like none of the gothic novels written nowdays . It was a shock to me that this was written almost a century ago , and that these novels are completely unheard of .
I know a lot of people are out off gothic novels because of supernatural creatures ghosts and other evil things . If that's true of you then perhaps give Christabel's Room or Mistress of the Moor a try , these are novels which a realistically gothic might take you by surprise .
This is a classic gothic tale with all the spooky elements: a huge, rambling house out in the moors, a young lady returning from the big city to help her rich uncle, a cousin who is charming but creepy, a doctor who is much like Mrs. Danvers in personality and appearance, a new handsome man who strikes sparks off the heroine, and of course the usual "accidents" that cloak a more sinister purpose.